《教父2(1974)》完整中英文对照剧本10篇《教父2(1974)》完整中英文对照剧本 教父2的叙述线路有两条:一条是老V的,一条是麦克的,老V的线路可以理解为是麦克线路的辅线。他们之间似乎没有联系。但是,实际上是有有的下面是小编为大家整理的《教父2(1974)》完整中英文对照剧本10篇,供大家参考。
篇一:《教父2(1974)》完整中英文对照剧本
教父2的叙述线路有两条:一条是老V的,一条是麦克的,老V的线路可以理解为是麦克线路的辅线。他们之间似乎没有联系。但是,实际上是有有的。迫于教父2过于复杂的情节,我先将两条线路分开讲解,再细细说它们之间的联系。很多人在看完教父2之后感到很乱,似乎没有开始就结束了。更有人感觉:里面的人死来死去就结束了,完全不知所云。我想尽量写得清楚一些,帮助第二次,第三次看本片的理解。先说麦克这条主线吧。麦克的主线体现了人性中的丑恶、无奈和冷酷无亲。反观老V的辅线,尽是人性中的友谊、亲情、家庭等一些美好的东西。两者形成鲜明对比。明白了麦克的主线,再看老V的辅线就自然明白了。我尽量的挑选了一些能够帮助理解剧情的细节。相信明白了这些细节,对影片剧情中的很多疑问就会慢慢解开了。细节:1.在麦克儿子的领圣餐仪式上,一切和第一部一样:盛大的欢庆仪式。然而却和多年前又有些不同。那时桑尼试图赶走警察,而现在侍者端来点心和酒让站岗的警察享用。显然,家族和警方的关系已经远远不是以前那么紧张了,可以说这是麦克努力的成果:虽然没有将家族生意完全的合法化,但是至少他取得了一部分胜利。这也可以理解为在暗示将会有政界的力量参与家族间的斗争,虽然第一部里明确了当时家族的政界势力也很庞大,但是并没有具体的体现出。而第二部里也确实出现了政界的代表,参议院。2.麦克夫妇和参议院夫妇合影时,凯显得十分荣幸的样子,感觉受宠若惊。而麦克只是微微笑一下,可以说是皮笑肉不笑,因为他知道,这一切只是逢场作戏。他知道参议院的目的,他不可能仅仅是为了金额巨大的善款而来的。3.参议院和麦克谈判时,窗外是热闹的人群,而书房里却已经是冷若冰霜。当参议院说出麦克的目的:将赌场归于名下并且赶走现在的赌场占有人托比卡拉时,麦克和TOM互相对望了一下。我想他们并不奇怪参议院的消息为什么如此灵通,而是在想:这种黑社会家族之间的吞并怎么这么快就引起了政界人物的注意?这是麦克肯定意识到:参议院已经是对手的人了。所以当参议院提出了自己的要求是麦克直接给予了拒绝。不但因为这条件过于苛刻,不但由于参议院侮辱了自己的家族,更在于,麦克知道,就算自己多给参议院两倍他所提出的条件也无济于事,这位参议院已经铁了心和麦克对着干了。这里有个很有意思的细节:参议院走到书桌前,将桌上一个小炮对准了麦克。可暗示了参议院对麦克步步紧逼,决心对麦克施压。而且,麦克的敌人已经不止要对麦克的家族怎样,他们将直接将矛头对准家族的首领,暗示了暗杀的出现。而参议院走出冰冷的书房,他瞬间又恢复了满面的笑容,仿佛和麦克的谈话很愉快一样。就如同麦克说的:参议院,你我都是伪善的人……4.弗兰克的出场。弗兰克的出场交代了两个事情:首先,他是克莱门萨的继承人,也就是家族在纽约的势力。其次,作为克莱门萨的继承人他没有继承克莱门萨的忠诚和聪明。他显得头脑简单和粗俗。而他在当天晚上的晚宴上公然故意将红酒弄翻在桌上,暗示大家他希望有更多的流血事件发生,他希望麦克授权给他。当麦克断然拒绝了他的要求后,他不惜以分裂家族作为要挟的条件。这说明弗兰克是个简单的街头人物,他与麦克的运筹帷幄形成对比,也与后来他自己被人操纵上了听证会形成对比。5.强尼的出场。强尼欧拉作为海门罗斯的手下,像麦克暗示了这样的信息:海门罗斯容许麦克将要做的一切。强尼说:海门罗斯永远为他的搭档赚钱,一个接一个,昔日的老友都走了……海门罗斯活着,因为他永远为他的搭档赚钱。强尼这么说是在暗示麦克:海门罗斯没有恶意,没有任何侵略性。而你,麦克,你为自己赚钱,你会和海门罗斯以前的合伙人一样,“不是死了就是流放,监狱”。所以,虽然强尼明说他们不反对麦克的计划,而麦克知道,事情没那么简单。5.麦克躲过了暗杀。他已经意识到了家族内部出了叛徒,但是叛徒隐藏的太深,他决定只身调查。他对TOM说:除非我错的离谱,不然行刺者已经死了。果然,刺客死了。而第一个发现尸体的,是麦克的嫂子,佛雷多的妻子。她发现刺客死在自己的窗外。这其实是影片中佛雷多对家族的第一次背叛:暗杀失
败后为了保全自己和海门罗斯,他偷偷杀掉了刺客。我一开始认为这只是个巧合,但是随着观看次数的增多,我发现,《教父》中没有巧合,一切都是人为。这里也暗示给了观众:那个非常害怕被曝光的叛徒,就是佛雷多。6.麦克为了暗杀的事情去麻痹海门罗斯,他恭敬的走进罗斯的家。注意,在路上是麦克开车,而保镖坐在后面。我不知道这是不是暗示了麦克对罗斯心怀芥蒂,担心第二次暗杀的发生,因为这毕竟在罗斯的地盘。而麦克与罗斯谈话时,他们的位置。麦克只和三个人这么近的坐过:父亲老V,罗斯,和母亲。形成对比的麦克与弗兰克的两次谈话:仿佛麦克和弗兰克真的是敌人。可是不要以为麦克对待罗斯像亲人,而对待弗兰克像敌人。他只是遵守了老V的话:接近你的朋友,更要接近你的敌人。7.罗斯的手下强尼深夜电话佛雷多,询问麦克和弗兰克谈话的结果。我们已经可以知道,确实是罗斯暗杀麦克,而佛雷多,就是隐藏的叛徒。8.参议院被挟持。这时的参议院和第一次出场时候的强势形成对比,他显得惊慌失措,又无助。而愚蠢的是,他竟然没有意识到这一切只是一个圈套。他真的以为是自己杀了那女孩,而自己又非常幸运的住在了佛雷多经营的旅馆。而TOM对门口人使得眼色让我们知道,这其实是个圈套罢了。这为了后来参议院主动为麦克辩护做了铺垫,而TOM如此帮助他的原因,也仅仅是出于“友谊”。9.在古巴总统感谢美国的资本家的时候,麦克、罗斯,和美国通信,泛美矿业等一些巨头坐在一起。他们此行是要创造历史。这时他们互相传递一部纯金的电话,罗斯和麦克互相注视对方传递电话时的神情。我觉得,纯金的电话在这里代表了美国能在古巴所取得的利益。麦克接过电话时,没有任何停顿就传给了下一位。而海门罗斯接到电话后,显得很高兴,并且感觉过了一会才传给下一位。这暗示了他们各自对待古巴的态度:麦克只是为了调查家族的内鬼才来到古巴,他并不像在古巴投资,也就不看重古巴的利益。而海门罗斯却很在乎,因为他的利益几乎全在古巴,他把古巴看作第二个拉斯维加斯,极力想拉拢其他人参与古巴的一切。10.麦克的车子遇见叛军,他看到了被抓住的叛军不惜自杀也要杀点一个军官。爆炸的一瞬间,麦克被震撼了,可是旁边的强尼却显得习以为常。这显然不是麦克害怕,而是麦克见微知著。他在后来在海门罗斯的生日上也发表了自己的观点:军人拿薪水作战,叛军不是,叛军最终会赢下这战争。这就是他与普通人的区别,在别人还在盘算能从古巴赚多少钱时,他已经知道,如果在古巴投资,那回报将是零。而紧接着海门罗斯的生日也很有意味,海门罗斯为大家拿来一个镶有古巴地图的蛋糕。显然,海门是要带领大家一起来瓜分古巴。而他自己“只要一小块”。他的表现像一个首领,在瓜分蛋糕时他也在安排瓜分古巴,他已经分好了每个人的所得。他像是麦克的父亲一样,表示自己百年之后要传位给麦克。而麦克显然不领情。这里有个细节,海门罗斯对麦克说:我们比美国钢铁还要强大。这句话在黑手党历史上是真实存在的,说这句话的人就是海门罗斯的原型,大家有兴趣可以查查看。11.佛雷多拿着200万的现金来到古巴见麦克,当麦克试探性的问佛雷多是否认识海门罗斯和强尼欧拉时候。佛雷多显得很惊慌,低声说:不,我从来没见过他们。而麦克可能已经感到怀疑。在后来的谈话中,佛雷多说出了自己的理想:希望自己有一天能够像父亲一样。麦克则像佛雷多扔出了诱饵,他告诉佛雷多,海门罗斯将要如何杀掉自己,而自己将要如何反击。我想麦克的内心是不愿意承认自己哥哥是叛徒的,但是他毫无办法,他必须怀疑身边的每一个人,包括自己的哥哥。12.海门罗斯和麦克后来的谈话中,告诉麦克:我的第六感告诉我,你哥哥佛雷多带来一大笔钱。麦克面无表情,但是显然他内心已经乱了。他面对质问没有给出一个让人信服的答案,他只是说:我只是想等等看……然后转移话题。《教父》没有巧合,更没有什么第六感。为什么佛雷多一到古巴海门就知道他带来了钱?显然又是佛雷多给海门罗斯通风报信,打乱了麦克的计划。麦克这时候的慌张不是因为质问,而是他害怕那个叛徒真的是他的哥哥,那他该怎么办?而随后麦克对海门的质问则激怒里海门罗斯。他提醒麦克生意就是生意,和感情无关,随后他告诉麦克:要么你投资,要么你离开。13.俱乐部的聚会上,佛雷多向众人介绍麦克。这里重点的有两个人,一个是参议院盖瑞,他的态度与之前判若两人。对麦克的态度几乎是讨好似的。这是他已经是麦克口袋里的一个硬币了。一个是强尼欧
拉,麦克向佛雷多介绍强尼时候,强尼也说:我和佛雷多从未见过。他们相互握手时,麦克在一旁默默的观察。试图找出自己哥哥不认识强尼的证据。我想他内心是真心希望,佛雷多不认识强尼的。14.在另一个夜总会,佛雷多带领大家去看一个低俗的表演。所有人站在前面,全神贯注的看着表演。而麦克,他站在所有人后面看着他们。显然这时候佛雷多已经得意忘形了,当别人问起他怎么知道这地方的时候,佛雷多愚蠢的说:罗斯老头从来不来这里,但是强尼却对这地方了如指掌!这时镜头给了麦克,刚刚还十分平静的他忽然倒吸一口冷气,示意自己的保镖去做计划中的事,而他自己,已经不知所措。他不是在为自己的处境担心,他痛苦的低下头,捂住脸。他知道了,背叛家族的正是自己的哥哥。这是他最不愿意接受的现实。15.舞会上,佛雷多要偷偷溜走,被麦克叫住。随后大家看见麦克的保镖因为恰好有政府警察路过而暗杀失败。真的只是巧合么?我更觉得这是因为警察接到了佛雷多的报信,他知道海门罗斯在新年钟声响之前会被暗杀,而他肯定也发现了麦克的保镖已经不见了。这是佛雷多对麦克的第三次背叛。注意看穿过舞会的警察,他们显然是有目标的来到这里,而且显得十分紧张(要知道海门罗斯是总统的最大支持者)。而他们径直来到海门的病房,杀了麦克的保镖,一眼就看得出是有备而来。麦克也注意到了,他知道自己失去了保镖,这次佛雷多真的伤了他的心。随后愤怒绝望的他向佛雷多坦白了一切。但是我认为这时候他只是想软禁佛雷多,并不想杀了他。因而当一切混乱时候,他仍然对佛雷多喊出:来吧!和我一起走!你仍然是我哥哥!16.回到美国的麦克被直接送上听证会。听证会上盖瑞参议院为麦克辩护,注意他发表那个演讲时法官的表情:鄙夷。我想法官已经知道了,盖瑞是麦克的棋子。但显然这枚棋子十分狡猾,他借口开溜了。这次听证会让麦克几乎陷入绝境,不但是他的对手,他的盟友:弗兰克,也做出对他进行几乎是致命的证词为什么海门罗斯会找到弗兰克?就算是弗兰克真的愚蠢到认为是麦克要杀他,他也不会帮助海门罗斯。而且弗兰克是市井中的黑帮,他的原则是谁迫害他,他杀掉谁(就像一开始他要求麦克杀了海门一样),他不可能想到去法院告谁。一定有人说服了弗兰克。而从麦克和佛雷多的谈话中我们感觉到,是佛雷多指示弗兰克这么做的。佛雷多告诉麦克:1.海门控制了弗兰克。2.他希望有自己的事业。他的内心并不服气麦克的领导。只能说佛雷多实在过于愚蠢,他不知道一个首领,最忌讳的就是听到别人要推翻自己。而此时的麦克,已经下了决心要杀了佛雷多。他对佛雷多说:你对我来说现在什么也不是了,你不是我哥哥,也不是朋友……但是只是碍于母亲,麦克现在还不打算杀了他。而佛雷多让弗兰克上听证会,是他对家族的第四次背叛。对于麦克而言这是一个痛苦的决定,为什么这一次让麦克下定了杀掉佛雷多的决心?注意前几次的背叛佛雷多更多的是针对麦克本人,而不是针对家族。但是对于这个关系到家族命运的听证会,佛雷多仍然作出了错误的判断。这次他不仅仅是想有自己的事业,让麦克失败,他的做法可以毁掉整个家族。这就逼迫麦克必须在家族和亲生哥哥之间做出一个抉择。要么整个家族被毁灭,要是亲手杀掉自己的哥哥。这也是为什么麦克必须杀掉佛雷多的原因。17.听证会上弗兰克推翻了所有自己的证词,愿意是他的哥哥。很多人不理解为什么会这样,难道是弗兰克惧怕自己的哥哥?显然不是这样。如弗兰克最后说的:我哥哥他可以在美国称王,可以拥有自己的家族,但是他不愿意离开自己的小镇。只能说是西西里的血唤醒了弗兰克,让他意识到,永远不能背叛自己的家族,更不用说帮助犹太人。18.凯激怒麦克就不多说了。自己体会吧。19.母亲的葬礼上,家人终于理解了麦克。也许是因为那次听证会。而麦克却不打算原谅佛雷多,面对妹妹的求情不置可否。让人想麦克是否会原谅哥哥。麦克最终走到佛雷多面前,他轻轻的抱住佛雷多。而弗雷多却是紧紧的抓着麦克,无言中祈求麦克的原谅。拥抱的强弱已经显示出了他们各自的想法。此时的麦克绝对是孤独的,这个家族的亲人中,没有人可以理解为什么麦克一定要杀掉佛雷多。他们不知道佛雷多一次次的将麦克,将整个家族推到悬崖边上。相反他们觉得不可原谅的是麦克,甚至帮着佛雷多求情。他们不知道,一旦麦克赦免了佛雷多,整个家族都将万劫不复。20.麦克要求TOM隐退。很多人不理解,有的人认为是因为麦克责怪TOM在守家时让凯打掉了孩子。但是我认为更多了,是麦克在经历了这一切之后,再也不愿意或者说不敢相信任何人。连自己的亲生哥哥
都会被叛,何况一个已经因为生意向敌人妥协的外人(第一部中TOM被绑架后,回到家族中为敌人说话)。而另一方面,TOM又过于软弱,甚至不想去杀了海门罗斯。麦克已经猜不出,TOM是因为真的觉得海门罗斯已经没有威胁还是因为TOM和海门一伙勾结在一起。他已经不可能在来一个“佛雷多事件”了。也许为了保险,麦克决定抛弃所有人。21.TOM像弗兰克暗示自杀。这个很好理解,不说了。22.最终所有敌人都死了,海门、弗兰克、佛雷多。而对于弗雷多,麦克绝对是痛苦的。枪响的瞬间,麦克低下头,他是在忏悔。也许枪响的一瞬间,他就后悔了,但是他又不得不这么做。很多人不理解,认为就这么软禁佛雷多不是很好么?但是如果想一想,对于一个已经有了烦心,并且一而再再二三把自己推上绝路的人,我想任何人都不会放过。并且前面已经说了,佛雷多已经不止是在针对麦克,他是在毁掉整个家族。23.影片的结尾,麦克回忆起了老V还在时的一次家庭聚会。仿佛又回到了快乐的老日子。当麦克宣布自己入伍的消息以后,注意不同的人的表现:桑尼气愤的要打麦克,TOM惋惜的说麦克的将来,只有弗雷多祝贺了麦克。而麦克的反应呢?对于桑尼的暴躁,他也做了还击,弗雷多软弱的祝贺让他怀念,而对于TOM和老V对自己的命运的安排,则显得那么不屑一顾。最后大家都去欢迎老V,只有麦克孤独的坐着。他是孤独的,无论第一部还是第二部,他都是孤独的。没有人理解他所作的一切,没有人理解他的脆弱。如果说《教父》还有另一个主题,那就是一个男人的孤独。这是我认为最经典的电影结尾,可惜马龙白兰度没有出现……
篇二:《教父2(1974)》完整中英文对照剧本
利用宝贵的上课时间,老师让我们欣赏了《教父2》,本来在我印象中看电影应该是一件十分放松的事,可看这部电影反而让我一直注意力高度集中,看的过程中很累,但看完后有一种意犹未尽的感觉,感觉不应该就这样结束,说实话,在课堂上看完电影之后,脑子里很乱,只能对电影的故事情节有个比较明确的了解,对电影中的许多叙事技巧和表现手法都不太明白,远远没到写影评的火候。于是利用课余时间,我又看了两遍电影,看了3部教父的剧情简介,总算对电影故事的来龙去脉有了个完整的了解,以下是我结合老师上课讲的知识对观看完《教父2》的评价。《教父2》以两条线索贯穿全片,即二代教父的事业上的曲折前行和对一代教父创业艰辛以及家庭往事的回忆,故事情节的发展联系挺紧密的,当二代教父事业遭遇挫折时,剧情穿越到了一代教父艰辛的创业,当二代教父发现二哥出卖自己时,正伤心难过时,剧情又回忆到儿时一家人其乐融融的时代,最后二代教父派人杀了他二哥时,故事情节又穿越到年轻时家里的生日派对,那时所有人都反对他加入海军,只有二哥弗雷多对他表示祝贺,这里对比特别鲜明,表现了岁月的无常和人生的无奈。对比手法是影片的一大特色,在上面提到的两条线索中,一代教父的线索中表现的很多是家庭的温馨,与同伴合伙创业的友谊等,二代教父的线索则表现了太多的残忍与黑暗,以及在家族事业中的无奈和艰辛,以及妻子的不理解和对他的伤害,二者形成了对比。电影的叙事方式很紧凑,电影中大大小小事件有三十多件,把这些事件能够剪辑到三个小时之内,并串联的特别合理,让人看上去很舒服的同时有需要注意力高度集中地思考,我认为这种剪辑方式值得当代中国电影业来借鉴。我认为这部电影的最大亮点是细节描写和铺垫,我在电影中发现了许多这样的镜头。例如,麦克与妻子凯在舞会上跳舞时,凯就询问关于家族事业合法化的事情,并且提到了腹中的男孩,后面在麦克法庭上时,凯又表现得十分失望,这些细节为凯堕胎以及决定离开麦克做了充分的铺垫,让观众感觉顺其自然;一代教父维多失业后给妻子带当时穷人很难吃到的梨子回家,和妻子对他的态度,可以表现出一代教父夫妻十分恩爱;而麦克在外出回到家中后首先询问手下是否为儿子买了圣诞礼物和妻子的情况,表现出麦克是十分顾家的;还有在麦克似乎原谅二哥时,两兄弟拥抱,麦克的手紧紧地抓着弗雷多的后脑勺,意味深长地看了亚尔一眼。此时为后面他派亚尔杀了二哥做了铺垫,等等。以上是我个人对《教父2》的看法,电影给我最大的启示就是责任,作为即将步入社会的大学生,我们在生活中要学会担当,要敢于拼搏,为自己的家庭而奋斗。
篇三:《教父2(1974)》完整中英文对照剧本
历届奥斯卡最佳影片合辑电驴资源下面是用户共享的文件列表,安装电驴后,您可以点击这些文件名进行下载1.[翼].Wings.1927.D5.MiniSD-TLF.mkv详情699.3MB2.百老汇的旋律.The.Broadway.Melody.1929.D9.MiniSD-TLF.mkv详情699.7MB3.西线无战事.All.Quiet.On.The.Western.Front.1930.D9.MiniSD-TLF.mkv详情801.4MB4.壮志千秋.Cimarron.1931.D9.MiniSD-TLF.mkv详情800.3MB5.[大饭店].Grand.Hotel.1932.D9.MiniSD-TLF.mkv详情743.8MB6.一夜风流.It.Happened.One.Night.1934.D9.MiniSD-TLF.mkv详情699.6MB7.[叛舰喋血记].Mutiny.On.The.Bounty.1935.D9.MiniSD-TLF.mkv详情850.9MB8.[歌舞大王齐格飞].The.Great.Ziegfeld.1936.D9.MiniSD-TLF.mkv详情1.2GB9.[左拉传].The.Life.Of.Emile.Zola.1937.D9.MiniSD-TLF.mkv详情750.9MB10.[浮生若梦].You.Cant.Take.It.With.You.1938.D5.MiniSD-TLF.mkv详情800.2MB11.[乱世佳人].Gone.with.the.Wind.1939.BD.2Audio.MiniSD-TLF.mkv详情1.7GB12.[乱世佳人].Gone.With.The.Wind.1939.HDTVRip.x264.AAC.miniSD-TLF.mkv详情1.5GB13.蝴蝶梦.Rebecca.1940.D9.MiniSD-TLF.mkv详情874.5MB14.[青山翠谷].How.Green.Was.My.Valley.1941.D9.MiniSD-TLF.mkv详情750.9MB15.[忠勇之家].Mrs.Miniver.1942.D9.MiniSD-TLF.mkv详情900.3MB16.[与我同行].Going.My.Way.1944.D9.2Audio.MiniSD-TLF.mkv详情851MB17.[失去的周末].The.Lost.Weekend.1945.D9.MiniSD-TLF.mkv详情651.1MB18.[最新更新文件]Top188.黄金时代.The.Best.Years.Of.Our.Lives.1946.D9.MiniSD-TLF.mkv详情1GB19.[君子协定].Gentlemans.Agreement.1947.D9.MiniSD-TLF.mkv详情800.3MB20.当代奸雄.All.The.Kings.Men.1949.D5.MiniSD-TLF.mkv详情701.3MB21.彗星美人.All.About.Eve.1950.D9.MiniSD-TLF.mkv详情899MB22.花都艳舞.An.American.in.Paris.1951.BD.MiniSD-TLF.mkv详情728.8MB23.[戏王之王].The.Greatest.Show.On.Earth.1952.D9.MiniSD-TLF.mkv详情1GB24.[乱世忠魂].From.Here.To.Eternity.1953.D9.MiniSD-TLF.mkv详情799.6MB25.码头风云.On.the.Waterfront.1954.HDTV.MiniSD-TLF.mkv详情699MB26.环游世界80天.D1.Around.the.World.in.80.Days.1956.2D9.MiniSD-TLF.mkv详情749.8MB27.环游世界80天.D2.Around.the.World.in.80.Days.1956.2D9.MiniSD-TLF.mkv详情459.3MB28.桂河大桥.The.Bridge.On.The.River.Kwai.1957.HDTV.MiniSD-TLF.mkv详情1007.2MB29.金粉世界.Gigi.1958.BD.MiniSD-TLF.mkv详情745.1MB30.桃色公寓.The.Apartment.1960.HDTV.MiniSD-TLF.mkv详情799.6MB31.西区故事.West.Side.Story.1961.HDTV.MiniSD-TLF.mkv详情981.8MB32.阿拉伯的劳伦斯.Lawrence.of.Arabia.1962.HDTV.MiniSD-TLF.mkv详情1.3GB33.[汤姆琼斯].Tom.Jones.1963.D5.MiniSD-TLF.mkv详情799.7MB34.[窈窕淑女].My.Fair.Lady.1964.HDTV.MiniSD-TLF.mkv详情1.1GB35.[四季之人].A.Man.For.All.Seasons.1966.D9.MiniSD-TLF.mkv详情801MB36.[炎热的夜晚].In.The.Heat.Of.The.Night.1967.D9.MiniSD-TLF.mkv详情717.9MB37.雾都孤儿.Oliver!.1968.D9.MiniSD-TLF.mkv详情1004.4MB38.午夜牛郎.Midnight.Cowboy.1969.HDTV.MiniSD-TLF.mkv详情735.3MB39.巴顿将军.Patton.1970.BDRip.x264.AAC.miniSD-TLF.mkv详情1.1GB40.法国贩毒网.The.French.Connection.repack.1971.BD.MiniSD-TLF.mkv详情695.9MB41.教父.The.Godfather.1972.BD.2Audio.MiniSD-TLF.mkv详情1.4GB42.骗中骗.The.Sting.1973.HD.MiniSD-TLF.mkv详情863.2MB43.教父2.The.Godfather.Part.II.1974.BD.2Audio.MiniSD-TLF.mkv详情1.6GB44.飞越疯人院.One.Flew.Over.The.Cuckoos.Nest.1975.BDRip.X264.AAC.miniSD-TLF.mkv详情801.6MB45.[洛奇].Rocky.1976.BD.MiniSD-TLF.mkv详情809.4MB46.安妮霍尔.Annie.Hall.1977.HDTV.MiniSD-TLF.mkv详情579.2MB47.猎鹿人.The.Deer.Hunter.1978.HDRip.x264.AAC.miniSD-TLF.mkv详情1.2GB48.[克莱默夫妇].Kramer.Vs.Kramer.1979.BDRip.x264.2AAC.miniSD-TLF.mkv详情720.8MB49.[凡夫俗子].Ordinary.People.1980.D5.MiniSD-TLF.mkv详情799.5MB50.[烈火战车].Chariots.of.Fire.Sp.1981.D9.MiniSD-TLF.mkv详情906.2MB51.甘地.Gandhi.1982.BDRip.x264.AAC.miniSD-TLF.mkv详情1.3GB52.[母女情深].Terms.of.Endearment.1983.HDTV.MiniSD-TLF.mkv详情842.2MB53.莫扎特传.Amadeus.1984.BDRip.x264.2AAC.miniSD-TLF.mkv详情1.3GB54.野战排.Platoon.1986.HDTV.2Audio.MiniSD-TLF.mkv详情850.2MB55.雨人.Rain.Man.1988.HDTV.MiniSD-TLF.mkv详情999MB56.[为黛茜小姐开车].Driving.Miss.Daisy.1989.D9.HALFCD-TLF.mkv详情420.2MB57.[最新更新文件]与狼共舞.Dances.With.Wolves.DC.1990.BDRip.x264.AAC.miniSD-TLF.mkv详情1.4GB58.沉默的羔羊.The.Silence.Of.The.Lambs.1991.BDRip.x264.AAC.miniSD-TLF.mkv详情807.2MB59.不可饶恕.Unforgiven.1992.HDRip.x264.AAC.miniSD-TLF.mkv详情889.6MB60.辛德勒的名单.Schindlers.list.1993.HDTV.2Audio.MINISD-.TLF.mkv详情1.2GB61.阿甘正传.Forrest.Gump.1994.BD.2Audio.MiniSD-TLF.mkv详情1GB62.阿甘正传.Forrest.Gump.1994.HDRip.x264.2Audio.AAC.miniSD-TLF.mkv详情922.8MB63.勇敢的心.Braveheart.1995.BD.4Audio.MiniSD-TLF.mkv详情1.6GB64.英国病人.The.English.Patient.1996.BD.MINISD-TLF.mkv详情1GB65.莎翁情史.Shakespeare.In.Love.1998.D5.MiniSD-TLF.mkv详情945.1MB66.美国丽人.American.Beauty.1999.HDTVRip.x264.AAC.miniSD-TLF.mkv详情825.9MB67.角斗士.Gladiator.2000.BD.MiniSD-TLF.mkv详情1.3GB68.美丽心灵.A.Beautiful.Mind.2001.HDTV.MiniSD-TLF.mkv详情791.5MB69.[芝加哥].Chicago.2002.BD.MiniSD-TLF.mkv详情730.9MB70.魔戒3王者归来加长版.The.Lord.Of.The.Rings.3.Return.Of.The.King.Extended.Edition.2003.HDRip.X264.AAC.miniSD-TLF.mkv详情1.7GB71.百万宝贝.Million.Dollar.Baby.2004.BD.MiniSD-TLF.mkv详情916.7MB72.撞车.Crash.2004.BDRip.x264.AAC.miniSD-TLF.mkv详情782.5MB73.无间行者.The.Departed.2006.BD.MiniSD-TLF.mkv详情1GB74.老无所依.No.Country.for.Old.Men.2007.BDRip.x264.2AAC.miniSD-TLF.mkv详情831.6MB75.贫民窟的百万富翁.Slumdog.Millionaire.2008.BluRay.MINISD-TLF.mkv详情834.7MB全选68.8GB
篇四:《教父2(1974)》完整中英文对照剧本
大家好,今天给大家分享的这部电影是教父2.《教父2》是派拉蒙影业公司出品的一部黑帮片。由弗朗西斯·福特·科波拉执导,阿尔·帕西诺、罗伯特·德尼罗、罗伯特·杜瓦尔、黛安·基顿等主演。该片主要讲述了第二代教父迈克尔·柯里昂的奋斗历程,同时影片也回忆了第一代教父维多·柯里昂创业的艰辛。教父2相对于教父是影片情节的深入,让人们看了创业的艰辛,以及自己成为一个家族首领之后面临的一系列问题,在金钱和权力于亲情之间不断权衡。老教父用仁义彰显自己的力量,而新教父用狠毒证明自己的权威不容置疑。所以,麦克虽然说话掷地有声,发号施令时坚决果断,但这种粗暴的态度,恰恰反映出他内心的焦躁和不安,他怕质疑,怕众人不服。在劝退军师TOM的时候,老教父是娓娓道来,象拉家常一样,在TOM表示自己多少还有用时,麦克是斩钉截铁的说NO没有讨价还价的余地,他要的只是服从。麦克临危受命,在风雨飘摇中接管了整个大家族,除了果断地干掉土耳其毒枭和黑警察,使他一时声名大噪之外,其余就没有什么拿得出手的战功。在集团内,他尚无威信,对手下也尚未施加恩德,所以他做不到像老教父那样一言九鼎,一呼百应。他也没有更多的时间去培植亲信和党羽。那些老部下忠于他的父亲,是因为老教父对他们恩威并用,几十年的交情。而自己则不同,他们尊敬他,只是因为他是老教父的儿子,他始终活在伟大父亲的阴影里,
一旦父亲死了,他还能不能镇得住场面,就不得而知。所以他需要立功,复仇行动是最好的机会,他要以此来彰显自己的智慧,胆识和过人的手段。新教父这种简单粗暴的处理事情的方式为妻子的堕胎卖下了伏笔,因为没有能跟妻子沟通好,造成了不良的后果,如果这样的事情发生在老教父身上,可能不会和自己的妻子一刀两断,而新教父年轻气盛,新教父却不能容忍这样的事情发生,因为他会觉得被这样对待会很没有尊严,也许对于一个浪子来说,家庭确实没有太大的意义。可能大部人的人都会经历这样的本末倒置的追求而不自知,后来经历了一些事情后,明白了人生到底什么是重要的,才返璞归真。明白了人生是一个无奈的循环,是一个人成长和成熟的必由之路。
篇五:《教父2(1974)》完整中英文对照剧本
名次得分
年代
电影名称
票数772,530574,016363,635607,756239,994190,073405,662712,032546,001327,422392,844588,441130,019564,952568,626343,927441,6
1.
9.2
1994
肖申克的救赎/刺激1995(台)/月黑高飞(港).
2.
9.2
1972
教父
3.
9.0
1974
教父:II/教父续集/教父2
4.
8.9
1994
低俗小说/黑色追缉令(台)/危险人物(港)
5.
8.9
1966
黄金三镖客/黄昏三镖客(台)/独行侠决斗地狱门(港)/善恶丑
6.
8.9
1957
十二怒汉
7.
8.9
1993
辛德勒名单/辛德勒的名单(台)/舒特拉的名单(港)
8.
8.8
2008
蝙蝠侠前传2:黑暗骑士/黑暗骑士(台)/蝙蝠侠-黑夜之神(港)/TheDarkKnight
9.
8.8
2003
指环王:王者归来/魔戒三部曲:王者再临(台/港)
10.
8.8
1975
飞越疯人院/飞越杜鹃窝(台)
11.
8.8
1980
星球大战Ⅴ:帝国反击战/帝国大反击(台/港)
12.
8.8
1999
搏击俱乐部/斗阵俱乐部(台)/搏击会(港)
13.
8.8
1954
七武士/七侠四义(台/港)
14.
8.8
2010
盗梦空间/全面启动(台)/潜行凶间(港)/奠基(其他)
15.
8.8
2001
指环王:护戒使者/魔戒首部曲:魔戒现身(台/港)
16.17.
8.78.7
19901977
好家伙/四海好家伙(台)/盗亦有道(港)星球大战IV:新希望/星际大战(台)
2118.8.72002上帝之城/无法无天(台)/无主之城(港)255,797222,005565,610109,872165,339375,601489,243338,824493,872372,160445,752203,462141,075324,61075,563410,687202,2
19.
8.7
1942
卡萨布兰卡/北非谍影(台/港)
20.
8.7
1999
黑客帝国/骇客任务(台)/廿二世纪杀人网络(港)
21.
8.7
1968
西部往事/狂沙十万里(台)/万里狂沙万里愁(港)
22.
8.7
1954
后窗/偷窥
23.
8.7
1991
沉默的羔羊
24.
8.7
2002
指环王:双塔奇兵/魔戒二部曲:双城奇谋(台/港)
25.
8.6
1981
夺宝奇兵/印地安纳琼斯之夺宝奇兵
26.
8.6
1994
阿甘正传/福雷斯特·冈普
27.
8.6
1995
非常嫌疑犯/嫌疑惯犯(中)/刺激惊爆点(台)
28.
8.6
1995
七宗罪/火线追击令(台)
29.
8.6
1960
惊魂记/惊魂记(台)/触目惊心(港)/精神病患者(其他)
30.
8.6
1946
美好人生/风云人物(台)/生活多美好
31.
8.6
1994
杀手莱昂/终极追杀令(台)/这个杀手不太冷(港)/杀手里昂
32.
8.6
1950
日落大道/红楼金粉(台)/日落大道(港)
33.34.
8.68.5
20001964
记忆碎片/纪念品/记忆拼图(台)/凶心人(港)//失忆奇爱博士/密码一一四(港)
1835.8.51979现代启示录/战争启示录/地狱的默示录238,686354,697357,547123,250402,377177,677242,254263,73545,168168,492420,285216,324239,358272,76554,773124,65661,936
36.
8.5
1998
美国X档案/野兽良民(港)
37.
8.5
1991
终结者2:审判日/魔鬼终结者2(台)/未来战士2(港)
38.
8.5
1959
西北偏北/北西北(台)/夺魄惊魂(港)
39.
8.5
1998
拯救大兵瑞恩/抢救雷恩大兵(台)/雷霆救兵(港)
40.
8.5
1941
公民凯恩/大国民(台/港)
41.
8.5
2012
复仇者联盟
42.
8.5
1979
异形/异形I
43.
8.5
1931
城市之光
44.
8.5
2001
千与千寻/神隐少女(台)
45.
8.5
1999
美国丽人/美国心、玫瑰情(台)/美丽有罪(港)/美国美人
46.
8.5
2010
玩具总动员3/反斗奇兵3(港)
47.
8.5
1976
出租车司机/计程车司机(台)/的士司机(港)
48.49.50.
8.58.58.5
198019311958
闪灵/鬼店(台)/幽光M就是凶手/M/凶手是M迷魂记/晕眩/眩晕
51.
8.5
1957
光荣之路/突击
52.
8.5
2002
钢琴家/战地琴人(台)/钢琴战曲(港)/钢琴师
210,95756,404398,613267,95051,955304,237122,011243,902272,068312,517168,919103,544112,66493,959280,707308,77466,118
53.
8.5
1936
摩登时代
54.
8.4
2006
无间行者/神鬼无间(台)/无间道风云(港)
55.
8.4
2001
天使艾美丽/艾蜜莉的异想世界(台)/天使爱美丽(港)
56.
8.4
1944
双重赔偿/双重保险(台)/双重生活(港)
57.
8.4
2008
机器人总动员/瓦力(台)/大空奇兵·威E(港)/地球废品分装员(其他)
58.
8.4
2006
他人的生活/窃听风暴(台)/窃听者(港)
59.
8.4
1986
异形2/异形II
60.
8.4
1971
发条橙/发条桔子(台)/发条橙(港)
61.
8.4
1985
回到未来
62.
8.4
1997
美丽人生/美丽人生(台)/一个快乐的传说(港)
63.
8.4
1962
阿拉伯的劳伦斯/沙漠枭雄(港)
64.
8.4
1962
杀死一只知更鸟/梅岗城的故事(台)/怪屋疑云(港)
65.
8.4
1981
从海底出击/从海底出击(台)/特种任务(港)/潜艇风暴(其他)/U96
66.
8.4
2000
梦之安魂曲/梦的挽歌(台)/迷上瘾(港)
67.
8.4
1992
落水狗/霸道横行(台)/水库狗(港)
68.
8.4
1949
第三个人/黑狱亡魂(台)/黑狱之魂(港)/第三人
69.
8.4
2004
美丽心灵的永恒阳光/王牌冤家(台)/无痛失恋(港)/暖暖内含光
328,143340,754315,74653,90268,21056,397434,111111,87344,393228,12351,626108,56854,532209,363227,85276,46542,157
70.
8.4
2006
致命魔术/顶尖对决(台)/死亡魔法(港)
71.
8.4
1999
绿里奇迹/绿色奇迹(台)/绿里奇迹(港)/绿里(其他)
72.
8.4
2011
纳德和西敏:一次别离/伊朗式分居/分居风暴
73.
8.4
1988
天堂电影院/新天堂乐园(台)/星光伴我心(港)
74.
8.4
1940
大独裁者
75.
8.4
2000
角斗士/神鬼战士(台)/帝国骄雄(港)
76.
8.4
1974
唐人街
77.
8.4
1948
碧血金沙/浴血金沙(台)/宝石岭(港)
78.
8.4
1997
洛城机密/铁面特警队(台)/幕后嫌疑犯(港)
79.
8.3
2011
无法触碰/触不可及/最佳拍档/逆转人生
80.
8.3
1984
美国往事/四海兄弟(台)/义薄云天(港)
81.
8.3
1950
罗生门/筱竹丛林
82.
8.3
1975
巨蟒与圣杯/巨蟒和圣杯/蒙蒂·派森与圣杯/蒙迪佩登与圣杯
83.
8.3
1987
全金属外壳/金甲部队(台)/烈血焚城(港)
84.
8.3
1952
雨中曲/万花嬉春(台/港)
85.
8.3
1948
偷自行车的人/单车失窃记(台)/单车窃贼(港)
86.
8.3
1959
热情似火/热情如火
93,291137,77346,26657,709125,131357,085155,160216,071306,10780,96253,553144,93499,021233,26791,057248,067125,887249,1
87.
8.3
1984
莫扎特/阿玛迪斯(台)/莫扎特传(港)
88.89.90.
8.38.38.3
195019271980
彗星美人/夏娃的诱惑大都会/大都市愤怒的公牛/蛮牛(台)/狂牛(港)
91.
8.3
1995
勇敢的心/英雄本色(台)/惊世未了缘(港)
92.
8.3
2003
老男孩/原罪犯(台)
93.
8.3
1968
2001:太空漫游
94.
8.3
1983
星球大战VI:绝地武士归来
95.
8.3
1957
桂河大桥/桂河大桥(台)/桂河桥(港)
96.
8.3
1960
公寓/公寓春光(台)/桃色公寓(港)
97.
8.3
1992
不可饶恕/杀无赦(台)/豪情盖天(港)
98.
8.3
1997
幽灵公主/魔法公主(台)/幽灵公主(港)
99.
8.3
2006
潘神的迷宫/羊男的迷宫(台)/魔间迷宫(港)
100.
8.3
1973
骗中骗/刺激(台)/老千计状元才(港)
101.
8.3
1994
狮子王
102.103.
8.38.3
20041989
帝国的毁灭/帝国毁灭(台)/希特拉的最后十二夜(港)夺宝奇兵3:圣战奇兵/圣战奇兵(台/港)
28104.8.31939史密斯先生到华盛顿/史密斯游美京(台)/民主万岁(港)44,04954,020283,168335,10156,523239,72455,18285,38839,62186,34766,605407,811245,46347,69826,440279,29369,682
105.
8.3
1988
萤火虫之墓/萤火虫之墓(台)/再见萤火虫(港)/萤火挽歌(其他)
106.
8.3
1988
虎胆龙威/终极警探(台)/顽固分子(其他)
107.
8.3
2009
无耻混蛋/恶棍特工(台)/希魔撞正杀人狂(港)/无良杂种(其他)
108.
8.3
1957
第七封印
109.
8.3
2009
飞屋环游记/天外奇迹(台)/冲天救兵(港)
110.
8.3
1954
码头风云/岸上风云(台)/码头风云(港)
111.
8.3
1980
象人
112.
8.3
1961
用心棒/大镖客
113.
8.3
1963
大逃亡/第三集中营(台)/龙虎榜(港)
114.
8.3
1941
马耳他雄鹰/枭巢喋血战(台)/群雄夺宝鹰(港)/马耳他之鹰(其他)
115.
8.2
2005
蝙蝠侠前传:侠影之谜/蝙蝠侠:开战时刻(台)/蝙蝠侠-侠影之谜(港)
116.117.118.
8.28.28.2
200819401957
老爷车/经典老爷车(台)/驱逐(港)丽贝卡/蝴蝶春梦(台)/蝴蝶梦(港)控方证人/情妇(台)/雄才伟略(港)
119.
8.2
2000
偷拐抢骗/偷·拐·抢·骗(台)/边个够我姜(港)
120.
8.2
1965
黄昏双镖客/独行侠江湖伏霸(港)/赏金杀手
121.122.
8.28.2
19261995
将军号盗火线/烈火悍将(台)
27,523217,668254,639223,67244,96831,512256,298357,04942,945259,47922,362125,604198,070297,780136,37964,903243,74734,24
123.
8.2
1982
银翼杀手/银翼杀手(台)/2020(港)/2020年
124.
8.2
1996
冰血暴/法尔戈/雪花膏离奇命案(港)
125.
8.2
1985
乱
126.
8.2
1957
野草莓
127.
8.2
1995
玩具总动员/反斗奇兵(港)
128.
8.2
2005
罪恶之城/万恶城市(台)/罪恶城(港)/原罪之城/罪恶都市
129.
8.2
1958
历劫佳人/历劫佳人(台)/狂野生死恋(港)
130.
8.2
1998
大人物勒布斯基/谋杀绿脚趾(台)/大保龄离奇绑架(港)/了不起的勒博斯基/利布斯基老大
131.
8.2
1952
生之欲/流芳颂
132.
8.2
1978
猎鹿人/越战猎鹿人(台)/猎鹿者(港)
133.
8.2
1975
大白鲨
134.
8.2
2007
老无所依/险路勿近(台)/二百万夺命奇案(港)
135.
8.2
2004
卢旺达饭店/卢安达饭店(台)/卢旺达酒店(港)
136.
8.2
1967
铁手卢克/铁窗喋血(台)/逃狱金刚(港)
137.138.
8.28.2
19831934
疤面煞星/疤面人(台)/伤面人(港)一夜风流
5139.8.21953恐惧的代价/恐怖的报酬(台)/九死一生(港)19,988145,372355,06748,71224,328182,574342,96095,184249,21630,99671,678野战排/前进高棉(台)/杀戮战场(港)156,36845,45997,833225,618200,93780,052
140.
8.2
1939
绿野仙踪/OZ国历险记
141.
8.2
1999
第六感/灵异第六感(台)/鬼眼(港)
142.
8.2
1951
列车上的陌生人/火车怪客(台)/追魂记(港)
143.
8.2
1921
弃儿的故事/弃儿的故事(台)/寻子遇仙记(港)
144.
8.2
2010
国王的演讲/王者之声:宣战时刻(台)/皇上无话儿(港)
145.
8.1
2003
杀死比尔:第一卷/追杀比尔(台)/标杀令(港)
146.
8.1
1977
安妮·霍尔/安妮霍尔(台)/安妮荷尔(港)
147.
8.1
2010
黑天鹅
148.
8.1
1925
淘金记/寻金热
149.
8.1
0
150.
8.1
1986
151.152.153.
8.18.18.1
195220111996
正午/日正当中(台)/龙城歼霸战(港)勇士猜火车/猜火车(台)/迷幻列车(港)
154.
8.1
1998
两杆大烟枪/两只大烟枪(台)/够姜四小强(港)/两杆老烟枪(其他)
155.
8.1
1969
虎豹小霸王/虎豹小霸王(台)/神枪手与智多星(港)
156.
8.1
1940
愤怒的葡萄/怒火之花(台)/愤怒的葡萄园(港)
32,637181,29716,45549,913129,54941,590302,967114,003161,669222,10021,729138,211189,14956,926148,562278,96982,372
157.
8.1
2007
荒野生存/阿拉斯加之死(台)/浪荡天涯(港)
158.
8.1
1927
日出
159.
8.1
2009
谜一样的双眼/谜样的双眼(台)/谜情追凶(港)
160.
8.1
1982
怪形/突变第三型(台)/怪形(港)怪胎
161.
8.1
1946
美人计/美人记(台)/谍网情鸳(港)
162.
8.1
2001
唐尼·达克/死亡幻觉/怵目惊魂28天(台)
163.
8.1
1939
飘/乱世佳人(台/港)
164.
8.1
1995
赌城风云/赌国风云(台)/赌场
165.
8.1
2004
百万宝贝/百万金婴/百万美元宝贝/击情(港)/登峰造击(台)
166.
8.1
1955
恶魔/浴室情杀案/像恶魔的女人/魔鬼双姝
167.
8.1
1979
布莱恩的一生/布莱恩的一生(台)/万世魔星(港)
168.
8.1
2007
血色将至/黑金企业(台)/黑金风云(港)/血色黑金(其他)
169.
8.1
1988
龙猫
170.
8.1
2010
驯龙高手/驯龙高手(台)/驯龙记(港)
171.
8.1
2003
海底总动员/海底总动员(台)/海底奇兵(港)
172.
8.1
1959
宾虚/宾汉(台)/宾墟(港)
173.
8.1
2000
爱情是狗娘/爱情像母狗(台)/狗男女的爱(港)
92,378276,722363,009245,58938,046209,422299,94222,834133,58792,3189,04321,046240,900113,47051,923235,14435,01442,21
174.
8.1
1984
终结者/魔鬼终结者(台)/未来战士(港)
175.
8.1
2005
V字仇杀队/V怪客(台)/V煞(港)
176.
8.1
1997
心灵捕手/心灵捕手(台)/骄阳似我(港)
177.
8.1
1946
夜长梦多/大眠/沉睡/智勇无双
178.
8.1
1993
土拨鼠日/今天暂时停止(台)/偷天情缘(港)
179.
8.1
2008
贫民窟的百万富翁/贫民百万富翁(台)/一百万零一夜(港)
180.
8.1
1946
黄金时代/最好的时光
181.
8.1
1986
伴我同行/站在我这边(台)/伴我同行(港)
182.183.184.
8.18.18.1
197519621961
炎热的下午/热天午后(台)/黄金万两(港)切腹纽伦堡审判/纽伦堡大审(台)/劫后升平(港)
185.
8.1
1995
十二只猴子/未来总动员(台)/12猴子(港)
186.
8.1
1967
毕业生
187.
8.1
1976
电视台风云/电视风云/荧光屏后/萤光幕后(台)/电视台风云(港)
188.
8.1
2007
谍影重重3/伯恩的最后通牒/神鬼认证:最后通牒(台)/叛谍追击3:最后通牒(港)
189.190.
8.18.1
19552009
猎人的夜晚/猎人之夜(台)/雾夜惊魂(港)玛丽和马克思/巧克力情缘(台)
3191.8.11962满洲候选人/谍影迷魂(台)/洗脑密令(港)/洗脑人(其他)44,41534,81678,52846,49326,30420,153162,690269,52634,80342,42829,21681,48625,03634,55512,75015,748220,7
192.
8.1
1959
四百击/四百下/无因的反叛
193.
8.1
1982
甘地传/甘地(台)/甘地传(港)
194.
8.1
1954
电话情杀案/电话谋杀案
195.
8.1
1966
人格面具/假面
196.
8.0
1966
阿尔及尔之战/阿尔及尔战争
197.
8.0
1987
公主新娘
198.
8.0
2009
第九区/第九禁区(台)/D-9异形禁区(港)
199.
8.0
1956
杀手
200.
8.0
1963
八部半/八又二分之一
201.
8.0
1966
灵欲春宵/谁怕维吉尼亚州的狼?(台)/谁怕又贞又淫的女人?(港)
202.
8.0
2004
哈尔的移动城堡/霍尔的移动城堡(台)/哈尔移动城堡(港)
203.
8.0
1954
大路
204.
8.0
1961
江湖浪子/桌球浪子/骗子
205.
8.0
1924
福尔摩斯二世/小夏洛克
206.207.
8.08.0
19282007
圣女贞德的审判/贞德的激情/圣女贞德受难记美食总动员/料理鼠王(台)/五星级大鼠(港)/小鼠大厨
16208.8.01973驱魔人/大法师(台)/驱魔人(港)158,70021,54741,175156,54317,786156,85226,85550,74554,478187,19647,14316,450228,757235,34330,03810,51848,666268,1
209.
8.0
1982
芬尼与亚历山大
210.
8.0
1969
日落黄沙/野战群(中)/日落黄沙(台)/流寇志(港)
211.212.213.
8.08.08.0
200819491976
摔跤手/力挽狂澜(台)/拼命战羊(港)/摔角王(其他)/摔角手仁心与冠冕/爱心和小帽/好心与王冠/善良心和小冠冕洛奇/洛基(台)
214.
8.0
1953
17号囚房/第十七号战俘营(台)/战地军魂(港)
215.
8.0
2007
潜水钟与蝴蝶
216.
8.0
1975
巴里·林登/乱世儿女(台/港)
217.218.219.
8.08.08.0
201119511957
哈利·波特与死亡圣器(下)/哈波特:死神的圣物2(港/台)欲望号街车/欲望街车(台)/欲海奇女子(港)卡比利亚之夜/花街春梦(港)/她在黑夜中
220.
8.0
2001
美丽心灵/美丽境界(台)/有你终生美丽(港)
221.
8.0
2009
星际迷航/星际争霸战(台)/星空奇遇记(港)/星际迷航XI(其他)
222.
8.0
1930
西线无战事
223.
8.0
1963
天国与地狱/天堂地狱
224.225.
8.08.0
20081998
叶问楚门的世界/楚门的世界(台)/真人SHOW(港)
26226.8.01953东京物语12,76048,00130,92046,63313,73249,58532,20477,072375,089186,428103,13236,08837,241215,80223,73540,258128,25916,27
227.
8.0
1948
夺魂索
228.
8.0
1962
双虎屠龙/谁杀了理贝特瓦朗斯
229.
8.0
1953
罗马假日/罗马假期(台)/金枝玉叶(港)
230.
8.0
1985
自己去看/我们去看/过来瞧瞧/屠杀安魂曲/炎628
231.
8.0
2002
无间道/无间道I
232.233.234.
8.08.08.0
197919682003
潜行者/潜行而近/向导罗斯玛丽的婴儿/失婴记(台)/魔鬼怪婴(港)/魔鬼圣婴加勒比海盗:黑珍珠号的诅咒/神鬼奇航:鬼盗船魔咒(台)/魔盗王:决战鬼盗船(港)
235.
8.0
2003
神秘河/神秘悬河(中)/神秘河流(台)/悬河杀机(港)/杀人约会
236.
8.0
2008
生人勿进/血色入侵(台)/鬼小无猜(港)
237.238.239.
8.08.08.0
198419982001
风之谷那一晚/家变/庆祝怪物公司/怪兽电力公司(台)/怪兽公司(港)
240.
8.0
1959
桃色血案/一个凶杀案的解析
241.
8.0
1922
诺斯费拉图/吸血鬼(台)/吸血僵尸(港)
242.243.
8.08.0
19911957
美女与野兽/美女和野兽蜘蛛巢城
6244.8.02007心中的小星星/地球上的星星18,36815,69157,13216,573279,03514,07436,945
245.246.247.
8.08.08.0
198719791937
铁面无私曼哈顿大幻影/超级幻想/幻灭/大幻灭
248.
8.0
2010
禁闭岛/隔离岛(台)/不赦岛(港)
249.
8.0
1969
安德烈·卢布廖夫/安德烈·卢布烈夫
250.
8.0
1986
天空之城
篇六:《教父2(1974)》完整中英文对照剧本
教父2《教父2》(TheGodfatherPartII,又名《教父续集》〉是一部1974拍摄年的美国电影,是《教父》的电影续集。因1972年《教父》的空前成功,两年后的1974年,《教父续集》登上屏幕,再次荣获奥斯卡奖11项提名并获得6项殊荣,包括:最佳影片、最佳导演、最佳男配角、最佳改编剧本、最佳原创配乐、最佳美术指导。《教父2》获得全球影评与大众的赞赏,被认为是影史最为成功的续集电影。本片在互联网电影数据库(IMDb)的史上最佳250部电影评选中,获影迷票选为第三名,仅次于前集《教父》以及《肖申克的救赎》。在意大利的西西里岛,柯里昂山村开场,那里是老教父维托的故乡,维托的父亲因为侮辱地方首领“其其教父”被谋杀,维托的哥哥扬言要为父报仇,在葬礼进行中,维托的母亲被告知她的大儿子即维托的哥哥也被杀死。孤单的母亲带着维托到其其的庄院中向他求情,请求其其放过小维托。其其教父拒绝,于是其母亲要挟其其教父,不了遭其其的保镖枪杀,临死时让维托出逃。在他父亲的一个朋友帮助下逃到美国。这时是1901年,第二代教父回忆起父亲的青年时代,不由得深深感到了创业的艰辛。迈克和妻子凯为儿子托尼举行了圣餐仪式和庆祝活动。但就在当夜,迈克遭到了袭击,凯受了伤。面对接管家族后所遇到的种种困难,迈克又回忆起了父亲唐·维托到美国后的“奋斗”历程。迈克尔一步步进行着复仇。同时他也在不断拓展家族的势力。通过与吉尔参议员勾心斗角的明争暗斗,迈克尔终于又控制住了一家大饭店,并开展了赌博生意。就在迈克尔扩大家族的势力时,一名叫罗斯的黑道人物又闯了进来,企图占领迈克尔的地盘。双方在暗地里展开了较量。迈克尔不满足于在国内已有的势力,他的手又伸到了古巴。然而革命的爆发却使他的计划受到了严重的挫折。罗斯收买了迈克尔的哥哥弗雷多为他提供情报,企图暗杀迈克尔。但迈克尔也已对罗斯采取了暗杀行动。迈克尔含泪处置了弗雷多,却不禁回忆起当年父子兄弟间其乐融融的情景。迈克尔的不法行为终究为他招来了麻烦。政府展开了对他的调查。迈克尔受到了一系列的指控。然而借助权术,迈克尔又一次转危为安,逃脱了法律的制裁。迈克尔成功地对付了政府的调查,但他的妻子凯却再也受不了这种充满了暴力、暗杀和罪恶的生活。她去做了人工流产,含泪离开了迈克尔。亲人的离去和兄长的背叛使迈克尔深受打击。金钱和权势并未给迈克尔带来幸福。他孤独地坐在湖边的住宅外,茫然地望着远方。
篇七:《教父2(1974)》完整中英文对照剧本
个人收集整理勿做商业用途AlPacino《教父2》表演分析
为Pacino在《教父2》中的表演做一些分析,是我由来已久的想法,不仅由于这次表演被低估,更重要的原因是:Pacino在这部影片中做出了表率,关于如何刻画一个潜台词极繁复、内心极矛盾的角色,关于如何贴切地诠释戏剧情境、清晰地规划表演节拍、精心地筛选表演细节,Pacino的表现都堪称完美。《教父2》中的MichaelColeone这个角色,虽然未能加冕奥斯卡,但无愧为电影表演艺术史上一座丰碑,亦为Pacino的生涯巅峰。
《FrancisFordCoppola》的作者、美国影评人RobertJohnson认为,在影片《教父2》的所有表演者中,Pacino的表演堪称魁首.别忙,我知道有些DeNiro的支持者要抱不平,我也是DeNiro的大影迷,我就用DeNiro在本片中的表演为这篇文字做个小引子:DeNiro圆满塑造了青年Vito这个角色,但正如Johnson所说,《教父2》过去时空的叙事未能向纵深开掘,情节相对粗线条并让位于人物刻画,直接结果是我们看到了鲜明、夺人眼球的Vito形象但未能追随他经受真正的“心”的考验。“心”的考验,这才是剧作之魂。我没有说《教父2》的剧作失魂,相反,在本片的现实时空中,Coppola的剧作巧夺天工,而这一部分的情节核心正是MichaelColeone,他不断遭遇形形色色的极端戏剧情境,不断经受一浪高过一浪的“心"的考验,而Pacino正是在一个接一个对他表演水准的严峻考验前,展现出电影表演艺术的流光溢彩。接下去,我们将一个场景接一个场景地分析他的表演。
我们先来看反击参议员Geary的这场戏(不负责介绍剧情).首先要申明,我的分析方法是:一。划分表演节拍,细致描述表演;二.根据已定的表演节拍分析戏剧节拍。(我省略了对场景目标的阐述,在分析中场景目标会自然凸显)第一个场景的表演节拍划分:1。自己的办公室中,Michael坐在宽大的办公桌后,他招呼参议员Geary坐在自己右前方的座位上,两人现距离五步左右,Michael的参谋Tom坐在他左侧座位上,距离同样较远,Michael的两位兵团司令Al和Rocco在屋内站着。Geary要求Tom在内的Michael心腹回避,但Michael以维护手下自尊为由婉拒。2.Geary满脸堆笑着说自己说话会很直白,Michael点起了一根烟,他背靠着转椅,脸只是侧向Geary,Geary说:“Coleone家族在内华达很成功,在拉斯维加斯不断扩张地盘,现在我的消息源告诉我你要在一星期以内再兼并一家赌场。”Michael在此时放下烟蒂,瞥了眼Tom,Geary接着说:“万事俱备,现在你只需要一张营业执照。”Michael的身体在做幅度极小、有节律的前后抖动,他仍旧侧向Geary,并用一句“XX(被兼并赌场的原老板)是个不错的人”随意搪塞了Geary。3。Geary说:“我们不要废话,我不想在这儿浪费时间。你可以拥有执照,代价是25万加上你每月全部四家酒店总收入的5%。”Michael现在转动转椅,面向Geary,他的眼色倒是轻松,目光也未完全锁定Geary,Michael说:“现在执照价格不超过2万,为什么我要付这么多?"4。Geary接上话:“因为我有意压榨你.我不喜欢你这种人,不喜欢你油头粉面、西装革履装作正直美国人,我和你做生意,但鄙视你的假面具和你不择手段的行事方法,鄙视你和你的整个家族。"现在Michael的目光完全锁定Geary了,不过如炬的目光不过维持数秒,他垂下眼,摇了摇转椅,随后昂起头,用鄙夷而非愤怒的眼色望向Geary的方向,Michael不紧不慢地说:“参议员,我们都带着伪善的假面具,但永远不要把我和我的家族混为一谈。”5。Geary摆摆手并站起来,他走到Michael桌前,一边走一边说:“有些人就是爱玩小把戏,你接着玩你的。你为了自己的利益总是要付我钱,明天中午之前我要得到你的答复。”Michael的目光始终迎着走到眼前的Geary,眼色却很平和,不过他的身体又开始小幅度但有节律地前后抖动,Geary接着用手指着Michael,操着命令的口吻说:“还有,不准你再联系我,以后你还和你的罪犯去打交道。"他将Michael桌上的炮台模型对准Michael,Michael看了看,并不在意,仍将目光落回Geary脸上,Geary随后转身离开.6.Michael又摇了摇转椅,他叫住了走到门口的Geary,身体仍未停止抖动,他平
个人收集整理勿做商业用途
静地说:“参议员,我现在就可以给你答复。我的答复是:什么也没有,甚至不付执照的钱,如果你个人能提供这笔费用,我表示感激。”参议员冷笑着离开,Michael重又抽了口没熄灭的烟蒂。文档为个人收集整理,来源于网络
我们来分析戏剧节拍:1.Michael与参议员Geary的座位相隔较远,用途有二:第一是定场,通过人物之间的距离可以清晰地看出人物关系,显然两人的关系远非私下里的好友,这与之前公众场合两人的友好出入很大,在Michael的办公室中,两人只是单纯生意上的甲方乙方甚至是对头关系;第二,两人之间预留出一定空间,是演员调度的常用策略,在情节向前发展、戏剧冲突升温时,挤压原先留出的空间将用作增强戏剧张力的视觉化手段。Tom坐在Michael的左前侧,大家可以注意下,这种刻意的方位关系其实是两人贯彻保持的。进入情节,Geary直言希望Michael的手下回避,而Michael以维护手下自尊为由婉拒,两人互相不配合的态度为之后的交锋定下了基调,Geary认为自己直白的言辞会令Michael很难堪,Michael明知Geary的意图却并不要求手下回避,他显然并没有将与Geary发生冲突看得很严重,他首先在战略上藐视对手.2。Geary再次提醒Michael自己说话会很直率,看看Michael此时的状态:点燃一根烟,背部惬意地贴着转椅,脸侧对着Geary,目光也没有明确投向他。这是Michael的态度:兵来将挡,水来土掩.当Geary提到“你还需要一张营业执照时”,Michael瞥了Tom一眼,这两人早有默契,对一下眼神,表达了类似“注意!他要动真格了”的意思,Geary说话确实很直率,一句寒暄没有,直接切入正题的核心部分。此时我们注意到,Michael的身体在做幅度极小、有节律的前后抖动——唇枪舌战近在眼前,Michael城府很深,也难免稍有忐忑(或者说是兴奋?),心跳小有加速,为此他尝试用极小幅度的前后抖动去恢复自己轻松、沉稳的状态,记住:这场交锋中,Michael要时刻藐视对手,而不能为对手牵制。Michael随后有意搪塞Geary,给他也给我们传递了这样的信息:你着急,我不着急;你在乎,我不在乎.Michael显然还是很在乎这笔生意,他明知Geary不想多废话,却有意拿废话刺激他,意在使他立刻暴露底牌。3.接下来,Geary果然亮出底牌,他一五一十说出自己的无理要求,看看Michael的反应:放下烟蒂,背部仍贴着转椅,摇动转椅使自己面向Geary,不过眼色轻松,目光未完全锁定。对手出招了,Michael现在要正儿八经地接招,不过对手招数的套路平平无奇,Michael了如指掌,因此他轻描淡写地回了一招:“现在执照价格不过2万,为什么我付这么多?”这叫明知故问,从Geary的角度看,Michael说这话叫自取其辱--Geary认为Michael敬酒不吃吃罚酒,他要撕破脸并露出一副狰狞的嘴脸,而Michael仍巍然不动,这就是Michael在这场交锋中着力向对手展示的:自己的态度,自己的底气,他要让对方感到双方实力的悬殊,然后知难而退。4.Geary向Michael发难了,他将自己对Michael的鄙视全部袒露,值得一提的是,他顺带侮辱了Michael的整个家族.在“fuckingfamily”这个词组脱口而出后,Michael的状态有所改变:烟蒂早已放下,背部还贴着转椅,直面Geary,目光终于锁定他.这是Michael此时的状态:你侮辱了我的家族,我现在不能放过你(如炬的目光锁定Geary),你要为此付出代价;不过,你不够格,算不上一个值得尊重的对手,我仍旧蔑视你(背部贴着转椅,上身仍未坐直).本文为互联网收集,请勿用作商业用途
篇八:《教父2(1974)》完整中英文对照剧本
MARIOPUZO'STHEGODFATHERPARTIIbyMarioPuzoandFrancisFordCoppolaTRANSCRIPTTranscribedbyDrew"CapoPaulie"WelshandJGeoffMaltaforwww.jgeoff.com/godfather/Coppola,FrancisFordPacino,AlDuvall,RobertKeaton,DianeDeNiro,RobertFADEFROMBLACKTO:MICHAEL,inprofilelookingdownward.HeholdsouthishandandROCCOkissingit.DISSOLVETO:AremotemountainsideareaofSicily.Wehearamarchingbandplayinginthebackground.Theintroductionisoverlaid:THEGODFATHERWASBORNVITOANDOLINIINTHETOWNOFCORLEONEINSICILY.IN1901HISFATHERWASMURDEREDFORANINSULTTOTHELOCALMAFIACHIEFTAIN.HISOLDERBROTHERPAOLOSWOREREVENGEANDDISAPPEAREDINTOTHEHILLS,LEAVINGVITO,THEONLYMALEHEIR,TOSTANDWITHHISMOTHERATTHEFUNERAL.HEWASNINEYEARSOLD.[ThemarchingbandisfollowedbyaprocessionofmournersincludingVITOandhisMOTHER.Thereisacasket,apparentlycontainingthebodyofVITO'sfather.Twogunshotsringout;allrunforcover.Peoplearescreaming.]WOMAN(inSicilian)They'vekilledtheboy!They'vekilledyoungPAOLO-theyhavekilledyoursonPAOLO!Murders!Murders![YoungVITOandhismotherrunovertoPAOLO'sbody,inapronepositionontherockyground]VITO'sMOTHERCICCIO(inSicilian)Myson--Myson[more]
[Shebeginstocry.GAFFE:Theactorwhoplays"dead"PAOLOmoveshishandashe'shugged]CUTTO:YoungVITOandhismotherapproachthegatetoDONCICCIO'svillaanditisopenedforthem.CUTTO:VITOandhisMOTHERwalkingdownapath.CUTTO:DONCICCIOsittingdrinkingwine.CUTTO:VITOandhismotherwalkdownthepathsomemore.CUTTO:DONCICCIOputsdownhisglassandlooksatVITOandhisMOTHER.CUTTO:VITO'smotherkissesDONCICCIO'shandVITO'sMOTHER(inSicilian)AllmyrespectDONCICCIO.DONCICCIOyoukilledmyhusbandbecausehewouldn'tgiveintoyou.AndhisoldestsonPAOLO--becausehesworerevenge.ButVITOisonlynine.Anddumb-witted,Heneverspeaks.DONCICCIO(inSicilian)It'snothiswordsI'mafraidof.VITO'sMOTHER(inSicilian)He'sweak-hecan'thurtanyone.DONCICCIO(inSicilian)Butwhenhegrows,he'llgrowstrong.
VITO'sMOTHER(inSicilian)Don'tworry-thislittleboycan'tdoathingtoyou.[DONCICCIOstandsup.]DONCICCIO(inSicilian)Whenheisamanhe'llcomeforrevenge.VITO'sMOTHER(inSicilian)Ibegyou,DONCICCIO,sparemyonlyson.He'sallIhaveleft.IsweartoGodthathe'llneverdoanyharmtoyou.Sparehim!DONCICCIONo.[SherevealsaconcealedknifeandholdsittoDONCICCIO'sneck.]MOTHER(inSicilian)
MoveandI'llkillhim!(then)RunVITO![YoungVITOwatchesasDONCICCIO'sguardsshoothisdown,andherunsaway.]DONCICCIO(inSicilian)Killhim!Killhim!Killhim!CUTTO:ThestreetsofCorleoneatnight.GUARD(yellinginSicilian)AnyfamilywhohidesVitoAndoliniwillregretit!Youunderstand?Yesorno!(then)AnybodywhohidestheboyVitoAndoliniisinfortrouble!CUTTO:Theguardswalkingdownstairs.CUTTO:AfamilyhidingVITOinadonkeycart.MAN[ProbablyABBANDANDO](inSicilian)VITO,we'reprayingforyou.CUTTO:Themangetsonthedonkeythat'scarryingVITO.GUARDyelling(inSicilian)IfanyoneishidingtheboyVITOAndolini--turnhimovertous.DONCICCIOwillthankyouforit!It'llbebetterfortheboy,andbetterforyou!AnyfamilywhohidestheboyVitoAndoliniwillregretit!CUTTO:Acourtyard.Thedonkeycartpassesbytheguards.CUTTO:Thedonkeycartwalkingaway.DISSOLVETO:"TheMoshulu"enteringNewYorkHarbor,passinginfrontoftheStatueofLiberty.CUTTO:VITOontheship.Hestandsupandwalksbehindeveryone.CUTTO:Everyonegettingofftheship.CUTTO:VITOstillwalking.CUTTO:ImmigrantslookingattheStatueofLiberty.CUTTO:VITOlookingattheStatueofLibertyalso.CUTTO:InsideEllis.CUTTO:MANinspectsVITO'seyesandwritesanencirledXonhim.INSPECTOR(pointing)
NURSE-CUTTO:Alltheimmigrantswaiting.Amanplayingaviolinaseveryoneistalkingindifferentlanguages.CUTTO:Immigrantstryingtoexplainthemselves.CAMERApansleftalongcounter.INTAKEOFFICER1InterpreterINTAKEOFFICER2Whereareyoufrom?INTAKEOFFICER3Whatisyourname?[VITOwalksup.]INTAKEOFFICER4Whatisyourname?Comeonson,whatisyourname?TRANSLATOR["Whatisyourname?"inItalian]then,lookingatthetagonVITO'scoat:VITOAndolinifromCorleone.INTAKEOFFICER4Corleone--VITOCorleone.Okayoverthere.Next--yourname?CUTTO:AdoctorinspectsVITO'schestwithastethoscope.DOCTOR(toNURSE)Tellhimhehassmallpoxquarantinethreemonths.NURSE(translatingforVITO)[InItalian,somethinglike"youhavesmallpoxandwillbequarantinedforthreemonthsatEllisIsland"]CUTTO:TwomenwalkdownthehalllookingforVITOMANCallingOutVitoCorleone?VitoCorleone?OtherMAN,standingnexttoYoungVITOHereheis;thisishim.
[YoungVITOisplacedinaroom,looksoutthewindowattheStatueofLiberty,placeshissuitcaseonthebunk(#52),sitsandthenstartstosing]VITOCORLEONEELLISISLAND1907CUTTO:AChurch.ANTHONYiswalkingdowntheaisleduringhisfirstcommunion.HISGRANDSONANTHONYVITOCORLEONELAKETAHOENEVADA1958FATHERCARMELO[inLatin][Priestprayswhilegivingouteucharist.Anthonyisthethirdchild.Heturnstowardthecamera.]CUTTO:LakeTahoeResort.Bandstand,musicplayCUTTO:VALETsparkingcarsVALETHey!bringthecarkeys.WOMAN(OS)Morey!Morey!CUTTO:MANtakesdrinktopolicemanintheparkinglot.CUTTO:MANandWOMANdance.CUTTO:Watchmanonrooflightsacigarette.CUTTO:GUESTSsittingandtalking.CUTTO:CONNIEandMERLEJohnsonwalk,dodgingguests,makingtheirwaytoMAMACORLEONE.CONNIE:MAMA--whoohMAMA.MAMACORLEONE[somethinginItalian,then]Lookwho'shere-CONNIEOh,FATHERCARMELO.MAMACORLEONEThisisFATHERCARMELO--
MERLEI'mMERLEJohnson-MAMACORLEONE--andthepriestFATHERCARMELONicetomeetyou,howareyou.MAMACORLEONE--familyPriest.CONNIEMAMA-[ShekissesMAMA.]--hereIam.MAMACORLEONEConstanzia-finalmente--afteroneweek?Isentthecarouttotheairportlastweektopickyouup!CONNIEOh--itwaschaos.Anyway,hereIam,justoneweeklate.AndthisisformyMAMA.[ShehandsMAMAawrappedjewelrybox]MAMAWhat'sthis?CONNIEYourememberMERLE,don'tyou?MERLE(toMAMA)HelloMAMA.MAMAHello,howareyou;thankyou.CONNIEWhere'sMICHAEL?Igottatotalktohim,andum,getafewthingsstraight,andIcan'twaitonline.MAMA
Yougoseeyourchildrenfirst!Andthenyouworryaboutwaitingonlinetoseeyourbrother-likeeverybodyelse.[ThebandgivesamusicalintroductiontotheCONDUCTOR]CUTTO:AnappingFRANKPENTANGELInappingoutside.WILLIECICCIwakeshimandtheywalkoff.CONDUCTORLadiesandGentlemenamostdistinguishedguestwouldliketosayafewwords.WouldyoupleasewelcomeSENATORPatGEARYofthestateofNevada,andthereisMrs.GEARY.[SENATORGEARYwalksupontothestage]GEARYThankyouverymuch,LadiesandGentlemen--andthisisaveryveryhappydayformeandugh--mywife,Mrs.GEARY.WeseeNevadafartooseldom--butparticularlytodaywhenwecan-wecanjoinwitholdfriends--wecanmakenewfriends--andwehelpcelebrate--ayoungman'sfirstcommunion.Andalso,tothankthatboy'sfamilyforamagnificentcontributiontothestate.Ihavehereinmyhand,acheck--madeouttotheUniversity,anditisamagnificentendowmentinthenameof-uh,ANTHONYVITOCorleone--andthecheckissignedbythatyoungman'sparents--whomIthinkweshouldrecognizeMike--Pat--uh,KAY--standupplease--standup,letthefolksseeyou.Folks,IwantyoutojoinwithmeingivingarealNevada--thank-youtoMr.andMrs.MICHAELCorleone![Thecrowdclaps.TheconductorwhisperssomethingtoGEARY.]Wealsohaveasaspecialaddedattraction,theSierraBoysChoir.Whohave,uh,chosenacertainspecialsong,inaspecialarrangement,tohonortheirhost,Mr.MICHAELCorleone.Boys.CUTTO:MikeandKAYgettingupforaphoto.[Thechoirbeginstosing.]CUTTO:Alongshotoftheboyssinging.CUTTO:Acloseupoftheboyssinging.CUTTO:MICHAELataphotosessionacceptingaplaqueDIRECTORRelax.[MICHAELholdstheplaque.]
Okayfellaswegotthatone.[MICHAELandGEARYshakehands.]Okay,that'sgood.Alright.NowSENATOR,thisisyouandMrs.Corleone.[ThedirectorcomesoverandgivesGEARYthecheckandplaceshimnexttoKAY.Theyalsoshakehands.]Okaythat'senough,Senator-[MICHAELanGEARYshakehandsforonemorepicture,holdingthecheck]CUTTO:EVERYONElisteningtothechoir.CUTTO:TheinteriorofMICHAEL'soffice.MICHAELThisismylawyer,TOMHAGEN;SENATORGEARY.He'stheonewhoarrangedthiswholethingthroughyourmanTurnbull.GEARYYes--Yes.MICHAELSitdown.GEARYWellIwasundertheimpressionthatyouandIwouldtalkalone.MICHAELItrustthesemenwithmylife,SENATOR.IfIweretoaskthemtoleave,itwouldbeaninsult.GEARYWelluh,it'sperfectlyallrightwithme,butIshouldtellyouthatIamabluntmanandIintendtospeakveryfranklytoyou--maybe--morefranklythananyoneinmyposition'severspoketoyoubefore.[MICHAELlightsacigarette]TheCorleonefamilyhasdoneverywellhereinNevada.Youown,or,youcontrol,twomajorhotelsinVegas--oneinReno.Thelicensesweregrandfatheredin,sothereisnoproblemwiththegamingcommission.Now,mysourcestellmethat--youplantomakeamoveagainsttheTropicalla.Theytellmewithinaweek--you'regonnamoveKlingmanout.That'squiteanexpansion.Howeveritwillleavewithonelittletechnicalproblem.Ahh--Thelicensewillstillbe
inKlingman'sname.MICHAELTurnbullisagoodman.GEARYYeah,welllet'scutoutthebullshit.Idon'twanttospendanymoretimeherethanIhaveto.Youcanhavethelicense,thepriceis250,000dollars.Plusamonthlypaymentof5%ofthegross--ofallfourhotels.Mister--Corleone.MICHAELNowthepriceofthelicenseislessthan20,000dollars,amIright?GEARYThat'sright.MICHAELNowwhywouldIeverconsiderpayingmorethanthat?GEARYBecauseIintendtosqueezeyou.Idon'tlikeyourkindofpeople.Idon'tliketoseeyoucomeouttothiscleancountryinyouroilyhair--dressedupinthosesilksuits-andtrytopassyourselvesoffasdecentAmericans.I'lldobusinesswithyou,butthefactis,Idespiseyourmasquerade--thedishonestwayyouposeyourself.Yourself,andyourwholefuckingfamily.MICHAELSENATOR-we'rebothpartofthesamehypocrisy.Butneverthinkitappliestomyfamily.GEARYAllright,allright--somepeoplehavetoplaylittlegames.Youplayyours.Soletsjustsaythatyou'llpaymebecauseitisinyourinteresttopayme.ButIwantyouranswerandthemoneybynoontomorrow.Andonemorething:don'tyoucontactmeagain--ever.FromnowonyoudealwithTurnbull.(then,toAl)Openthatdoorson.[Hestartstoleave]MICHAELUh,senator--youcanhavemyanswernowifyoulike.Myofferisthis--nothing.Noteventhefeeforthegaminglicense,whichIwouldappreciateifyouwouldputuppersonally.GEARY(laughing)Goodafternoon,gentlemen.
[Heopensthedoorandwalksout]KAY,Ididn'tknowyouwereouthere.Honey,wehavetogo--we're30minuteslate.KAYOhreally?I'msorry.GEARYMrs.Corleone,I'vebeendelighted.KAYOh,no-GEARYThankyou.KAY--Itwasourpleasure.Thankyousomuch;itwaswonderfultalkingwithyou.CUTTO:Peopledancing.Musicplaysoutside.CUTTO:FREDO'sboatpullsuptothedock.CUTTO:BUTTONMANlooksaround.CUTTO:MoreBUTTONMENlookaroundattheparty.CUTTO:FREDOandJOHNNYOLAandothersgetofftheboatandontothedockCUTTO:PENTANGELIdrinkingoutofthehoseheldbyWILLIECICCI.PENTANGELIFREDO!FREDO,yousonofabitch,youlookgreat![PENTANGELIrunstowardhim.]FREDOFRANKPENTANGELI,Ithoughtyouwasnevercomingoutwestyoubigbum![Theygiveeachotherahug.]PENTANGELIIgottacheckonmyboys,uh?Hey,FREDOwhat'swiththefoodaroundhere?FREDOWhat'sthematter.PENTANGELI
Akidcomesuptomeinawhitejacket,givesmeaRitzcracker,anduh,choppedliver,hesaysCanapés.Isayuh,uh,cano'peasmyass,that'saRitzcrackerandchoppedliver![FREDOlaughs]PENTANGELI[SomethinginItalian,then]Bringoutthepeppersandsausage.FREDOAh,seeingyouremindsmeofNewYork--theolddays,huh!PENTANGELIHey,FREDO--youremember,uh,WILLIECICCI,hewaswitholdmanCLEMENZAinBrooklyn.Yeah,lookhere-FREDOLook,wewereallupsetaboutthat,Frankie.Heartattack,huh?WILLIECICCINo-No,thatwasnoheartattack.PENTANGELITha's--Tha'sa--That'swhatI'mheretoseeyourbrotherMikeabout.Butwha'--what'swithhim?FREDOWhatdoyoumean?PENTANGELIImean,whatdoIhaftado,getaletterofintroductiontogetasit-down?FREDOYou,youcan'tgetintoseeMike?PENTANGELIHe'sgotmewaitinginalobby!CUTTO:MICHAEL'soffice.JOHNNYOLAenters.JOHNNYOLA(shakinghandswithAL)JOHNNYOLA.ALNERIALNERI.MICHAEL
Sitdown.Youknowmylawyer,TOMHAGEN--JOHNNYOLA.JOHNNYOLASure,IrememberTOMfromtheolddays.MICHAELROCCO(then)What'sthis?JOHNNYOLAIt'sanorange--fromMiami.MICHAELWhydon'tyoutakecareofJOHNNY'smen--theylookliketheymightbehungry.JOHNNY-sitdown.TOMisn'tgonnasitinwithus--heonlyhandlesspecificareasofthefamilybusiness.TOM-TOMSure,Mike.MICHAELWhatareyoudrinking,JOHNNY?JOHNNYOLAAnisette.MICHAELAnisette.TOMIfyouneedanything,Mike,I'llbeoutside,alright?[TOMwalksoutthedoor.]MICHAELJusttellROCCOwe'rewaiting,TOMJOHNNYOLAIjustleft,uh,Mr.ROTHinMiami.MICHAELHow'shishealth?JOHNNYOLA
Ahh--it'snotgood.MICHAELIsthereanythingIcando--anythingIcansend?JOHNNYOLAHeappreciatesyourconcern,MICHAEL--andyourrespect.Thecasinoyou'reinterestedin--theregisteredownersareJacobLawrence,AllenBarclay-they'rebothBeverlyHillsAttorneys.TherealownersaretheoldLakevilleRoadgroupfromCleveland,andourfriendinMiami.MeyerKlingmanrunsthestore--herunsapieceofit,too--hedoesalright.ButI'vebeeninstructedtotellyouthatifyoumoveKlingmanout,ourfriendinMiamiwillgoalong.MICHAELThatisverykindofhim.Youtellhim,that'sgreatlyappreciated.JOHNNYOLAHYMANROTHalwaysmakesmoneyforhispartners.Onebyone,ouroldfriendsaregone.Death--naturalornot-prison--deported.HYMANROTHistheonlyoneleft--becausehealwaysmademoneyforhispartners.CUTTO:Outside,PENTANGELIrunsuptothestage.PENTANGELIWha'?Wha'?Ican'tbelieve,outofthirtyprofessionalmusicians,thereisn'toneItalianin,inthegrouphere.Come,let'shaveatarantella.Comeon-[PENTANGELIbeginstohumthetune,pianojoinsin]You!Up!Clarinetup,up,up![Hehumssomemore]What'sdamatta?What'sdamatta?[Heisstillhummingwhentheclarinetbeginstoplay"PopGoesTheWeasel."PENTANGELIgetsmadasthewholegroupjoinsin]CUTTO:MICHAEL'sboathouse.CONNIEandMERLEwalkin.MICHAEL(toMERLE)I'llseemysisteralone.MERLEItconcernsme,too.Isitokay,Mike,ifIstay?
CONNIEHowareyou,honey?YoumetMERLE--hewaswithmeinVegas.MICHAELIsawhimwithyouMERLECouldIhaveadrinkorsomething?MICHAELQuevoi?CONNIE(toALNERI)Al,wouldyoupleasegethimadrink!(then,toMICHAEL)We'regoingtoEuropenextweek.I'dliketobookpassageonTheQueenMICHAELSowhatdoyoucometomefor--whydon'tyougotoatravelagent?MERLEWe'regettingmarriedfirst.MICHAELTheinkonyourdivorceisn'tdryyetandyourgettingmarried?Youseeyourchildrenonweekends--Youknowyouroldestboy,Victor,waspickedupinRenoforsomepettytheftthatyoudon'tevenknowabout-CONNIEMICHAEL!MICHAEL--Youflyaroundtheworldwithmenwhodon'tevencareaboutyou,anduseyoulikeawhore!CONNIEMICHAEL,you'renotmyfather!MICHAELThenwhatdoyoucometomefor?CONNIE'CauseIneedmoney.MICHAEL
CONNIE-CONNI,CONNIE,CONNIE,CONNIE,CONNIE--Iwannabereasonablewithyou.Now,whydon'tyoustaywithus-withthefamily.Youcanlivehereontheestatewithyourkids.Youwon'tbedeprivedofanythingandyoucanhaveeverythingyouwant.Now--Idon'tknowthisMERLE--Idon'tknowwhathedoes--Idon'tknowwhatheliveson.Nowwhydon'tyoutellhimthatmarriageisoutofthequestion,andyoudon'twanttoseehimanymore.Nowhe'llunderstand,believeme.[CONNIEandMERLEreachouttoholdhands]CONNIE--ifyoudon'tlistentome--andmarrythisman--you'lldisappointme.CUTTO:Outside,nighttime.Abonfireisburningandamanthrowsalogdown.CUTTO:Aboatpassesby.CUTTO:PeoplewalkalongtheboardwalkCUTTO:Bandplayingonthestage.CUTTO:Outsidethefamilysitsatatable.MAMACorleoneAvive.MICHAELCent'anniEveryoneCent'anniDEANNAWhat's"Chendandy"?FREDOCent'anni--Itmeansahundredyears.CONNIEItmeansweshouldalllivehappilyforahundredyears--thefamily.That'dbetrueifmyfatherwerestillalive.MAMACORLEONECONNIE-CONNIEMERLE,you'vemetmysister-in-law,DEANNA.[Theyshakehands]
FREDO'swife.DEANNAPleasureMERLEHowdoyoudo.MAMACORLEONE[toTom,inItalian][AreferencetoDEANNAandMERLE]TOMHAGEN[inItalian][Responds]MERLE(toCONNIE)Whatdidshemeanbythat?PENTANGELI(inSicilian)Hey,Michael-excuseme.[laughs]WithallrespectIdidn'tcomeheretoeatdinner!MICHAELIknow,Iknow.[PENTANGELIknocksoveraglassofwine,everyonelooksathim.]Bene!CUTTO:DEANNAandanothermandance.Sheisobviouslydrunk.CUTTO:FREDOlookingon.CUTTO:DEANNAfallsontothedancefloor.CUTTO:MICHAELlookingon.CUTTO:FREDOjoggingtotakeheraway.CUTTO:MICHAELwhisperingsomethingtoROCCO.CUTTO:FREDOgrabbingher.DEANNAWhat'sthematter?Ijust,Ijustwanttodance!FREDODancingisonething--you'refallin'alloverthefloor.DEANNAIknowwhat'sthematterwithyou-you'rejustjealousbecausehe'sarealman.FREDO
IsweartoGod,DEANNA,I'mgonnabeltyourightinthecheek.DEANNAAh,youcouldn'tbeltyourMAMA.Youknowsomething,thosedaigosarecrazywhenitcomestotheirwives.[ROCCOwalksuptoFREDO]ROCCO(toFREDO)MICHAELsaysthatifyoucan'ttakecareofthis--Ihaveto.FREDOMaybeyoubetter.DEANNANevermarryaWOP!theytreattheirwiveslikeshit![ROCCOrunsoverandgabshe]Ididn'tmeantosayWOP.Ahh,Ahhwoo!ROCCO!Oh!Whatareyoudoingtome--help-FREDO!FREDO(toMICHAEL)Ican'tcontrolher,Mikey.MICHAELYou'remybrother,FREDO,youdon'thavetoapologizetome.CUTTO:MICHAEL'sboathouse.MICHAELCLEMENZApromisedtheRosatobrothersthreeterritoriesintheBronxafterhedied.Youtookover,andyoudidn'tgiveittothem.PENTANGELIIweltched?MICHAELYouweltched.PENTANGELIYeah,CLEMENZApromisedthem[somethinginItalian]CLEMENZApromisedthemnothing.HehatedthosesonofabitchesmorethanIdo.MICHAEL
Frankie,theyfeelcheated.PENTANGELIMICHAEL,yoursittinghighupintheSierramountains.Andyourdrinkin'-uh,what'shedrinkin'?WILLIECICCIChampaignPENTANGELIChampaign,Uh,ChampaignCocktails--andyou'repassingjudgmentonhowIrunmyFamily.MICHAEL(inSicilian)YourFamily--YourFamily'sstillcalledCorleone.Andyou'llrunitlikeaCorleone.PENTANGELI(inSicilian)Myfamilydoesn'teathere;doesn'teatinLasVegas--anddoesn'teatinMiami--withHYMANROTH.MICHAELFrankie--you'reagoodoldman--andIlikeyou.Andyouwereloyaltomyfatherforyears.PENTANGELITheRosatobrothers-they'retakinghostages.Hey,Mike,theyspitrightinmyface.Allbecausethey'rebackedupbythatJewinMiami.MICHAELIknow--that'swhyIdon'twantthemtouched.PENTANGELIYoudon'twant'emtouched.MICHAELNo,IwantyoutobefairwiththemPENTANGELIYouwantmetobefairwiththem?TOM--howcanyoubefairtoanimals?TOM--forCrissakes,listen--Theyrecruitspics--theyrecruitniggers--andtheydoviolenceintheir,intheirGrandmother'sneighborhoods.Andeverythingwiththemiswhores--whores![somethinginItalian]junkdope!Andtheyleavethegamblingtolast.NowIwanttorunmyfamilywithoutyouonmyback,andIwantthoseRosatobrothersdead!MICHAELNo!
PENTANGELIMort'MICHAELNowIhavebusinessthat'simportantwithHYMANROTH--Idon'twantitdisturbed.PENTANGELIAndyougiveyourloyaltytoaJewbeforeyourownblood.MICHAELComeon,Frankie,youknowmyfatherdidbusinesswithHYMANROTH--herespectedhim.PENTANGELIYourfatherdidbusinesswithHYMANROTH,yourfatherrespectedHYMANROTH.ButyourfathernevertrustedHYMANROTH--orhisSicilianmessengerboy,JOHNNYOLA!(then,inSicilian)You'llhavetoexcuseme--I'mtired,andI'malittledrunk!(then,inEnglish)AndIwanteveryoneheretoknow--there'snotgonnabenotroublefromme!DonCorleone.Cicc',aporta!NERIYouwanthimtoleavenow?MICHAELLethimgobacktoNewYork--I'vealreadymademyplans.Thatoldmanhadtoomuchwine.[Hedrinks,thenlooksathiswatch.]It'slateCUTTO:Outside.MICHAELandKAYdance.MICHAELHow'sthebaby?KAYSleepinginsideme.MICHAELDoesitfeellikeaboy?KAY
Yes,yesitdoesMICHAEL.MICHAELKAY--I'msorryaboutallthepeopletoday--badtiming--itcouldn'tbehelped,though.KAYItmademethinkofwhatyouoncetoldme-"infiveyearstheCorleoneFamilywillbecompletelylegitimate."Thatwassevenyearsago.MICHAELIknow--I'mtrying,darling.CUTTO:AboatpassesbytheCorleoneEstateoncemore.CUTTO:MICHAELwalksintohisbedroomandseesapicturedrawnbyANTHONYofMICHAELinacar.Ithasboxestocheckifhelikesitornot.MICHAELDidyouseethis?KAYUhhuh.(then)MICHAEL?Whyarethedrapesopen?[MICHAELlooksatthedrapesandthengunshotsringoutandbustthroughthewindowjustmissingMICHAEL.MICHAELcrawlsonthefloortowardsKAY.Hepullsherfromthebedontothefloorandcoversherwithhisbody]Areyouallright?Areyouhit?It'soverIt'sover.CUTTO:Outsideasirenringsanddogsbark.CUTTO:GUARDsshuttingthegateCUTTO:Thelightsbeingturnedon.CUTTO:Amanturningonthepowertothelights.CUTTO:ROCCOrunninguptoMICHAEL.ROCCOThey'restillontheproperty.Please,MICHAEL,pleasestayinside.MICHAELKeepthemalive.ROCCOWe'lltry.
MICHAELROCCO!Alive!ROCCOStaybythedoor.CUTTO:Thedogsarereleasedandrunintothedrains.CUTTO.Alightsearching.CUTTO:Peoplesearching.CUTTO:PeopleoutsideMICHAEL'sroom.CUTTO:MICHAEL,KAYandthekidsinside;everyoneisquiet.CUTTO:DogssniffthedocksCUTTO:MenarmedwithmachinegunsescortMICHAELaround.CUTTO:Boat,nowequippedwithastrobelight,searches.CUTTO:Aroomintheestate;TOMknocks.MICHAELYeah,comein.TOMMikey,youallright?MICHAELYeah--there'salotIcan'ttellyou--andInowthat'supsetyouinthepast.TOMAlittle.MICHAELYeah--youfeltitwasbecauseofsomelackoftrustofconfidence--butit's--it's,becauseIadmireyouandIloveyouthatIkeptthingssecretfromyou.That'swhyathismomentyou'retheonlyoneIcompletelytrust.FREDO--ah,he'sgotagoodheart--buthe'sweek,andhe'sstupid,andthisislifeanddeath.TOM,you'remybrother.TOMIalwayswantedtothoughtofasabrotherbyyou,Mikey--arealbrother.MICHAELIknow.You'regonnatakeover--you'regonnabetheDon.IfwhatIthinkhashappenedhashappened,I'mgonnaleaveheretonight.Igiveyoucompletepower,TOM--overFREDOandhismen,ROCCO,NERI,everyone.Iamtrustingyouwiththelivesofmywifeandmychildren--thefutureofthisfamily.TOM
Ifwecatchtheseguysdoyouthinkwe'llbeabletofindoutwho'sbackingthem?MICHAELThat'snotthecatch--unlessI'mverywrong,they'redeadalready.They'rekilledbysomebodyclosetous--inside.Very,veryscaredtheybotchedit.TOMWhataboutyourpeopleROCCOandNERI?Youdon'tthinkthattheyhadsomethingtodowiththis.MICHAELYousee--allourpeoplearebusinessmen,theirloyaltyisbasedonthat.Now,onethingthatIlearnedfromPopwastotrytothinkaspeoplearoundyouthink.Nowonthatbasis,anything'spossible.CUTTO:Outside,DEANNAscreamsDEANNARightoutmywindow!Iwanttogetoutofhere!They'relyingtheredead!CUTTO:BUTTONMENrunningtothedrain.BUTTONMANOverherethere'stwoofthem.LooksliketheywerehiredoutofNewYork,Idon'trecognizethem.Wewon'tgetanythingoutofthemnow.MICHAELFish'emout.[TwoBUTTONMENfishoutthebodies]TOMAlright,getridofthebodies.ROCCOWhere'sMike?TOMROCCO.[TOMwalksoff.]CUTTO:MICHAELwalksintoANTHONY'sroom.
MICHAELANTHONY,everything'sgonnabeallright.Tryandsleep.[HekissesANTHONYonthecheek]Didyoulikeyourparty?ANTHONYIgotlotsofpresents.MICHAELIknow.Didyoulikethem?ANTHONYIdidn'tknowthepeoplewhogavethemtome.MICHAELTheywerefriends.ANTHONYDidyouseemypresentforyou?MICHAELItwasonmypillow.ANTHONY,I'mgonnabeleavingveryearlytomorrow.ANTHONYWillyoutakeme?MICHAELNo,Ican'tANTHONY.ANTHONYWhydoyouhavetogo?MICHAEL'CauseIhavetodobusiness.ANTHONYIcouldhelpyou.MICHAELSomedayyouwill.VITOCORLEONE
NEWYORKCITY1917[Weseeababy(SANTINO)playinginaplaypen.VITOpickshimupandrockshim.]CUTTO:AplayhousewithVITOandGENCO.GENCOShe'sreallybeautiful.You'vegottoseeher.[Thefirstpartoftheplayfinishes]Waittillyouseeher,wordscan'tdescribeher.Performer(PEPINO)[inItalian]IleftNaples,Ileftmymama,forano-goodtramp.Now,hereIam,inAmerica,inNewYork.Alone!Thinkingofmymother.Withoutnewsfromhome-[there'saknockatthedoor]Enter!GIRL(enteringstage)[inItalian]Pepino,aletterforyou!Performer(PEPINO)[inItalian]Finally,aletterfromNaples!GENCO[inItalian]VITO,howdoyoulikemylittleangel?Isn'tshebeautiful?VITO[inItalian]She'sverybeautiful.Toyou,she'sbeautiful.Forme,there'sonlymywifeandson.Performer(PEPINO)[inItalian]Ourdearmother--isdead![Hecries]Mama!MamaMia!
[Hepullsoutagunandstartstosing"SenzaMama"("WithoutMama")]GENCO[inItalian]We'llgobackstagelaterandtakeherouttoeat.[DonFANUCCIstandsup.]Sitdown,youBum.[DonFANUCCIturnsandlooksatGENCO]Oh,excuseme,DonFANUCCI[DonFANUCCIleaves]We'llgoseeherbackstageVITO[inItalian]Whowasthat?GENCO[inItalian]TheBlackHand.[Thegirlexitsthestage]VITOComeoncomeonlet'sgoseeherbackstage.[inItalian]CUTTO:Theyenterthebackstagearea.GENCO[inItalian]That'sFANUCCI--TheBlackHand.MANAGER[inItalian]We'lltalkaboutittomorrow.FANUCCI[inItalian]Tomorrow--alwaystomorrow.You'llpaymetoday!You'llpaymetoday[FANUCCIgrabsthegirladputsaknifetoherface.]GENCO[inItalian]Let'sgo.
MANAGER[inItalian]Notmydaughter!Lethergo!Heretakeallmymoney![FANUCCItakesmoneyoutoftheboxofferedbythemanager]GENCO[inItalian]VITO,comehere,comeon.[Theywalkoutside.]Iknowwhatyou'rethinking.Butyoudon'tknowhowthingsare.FANUCCI'swiththeBlackHand.Thewholeneighborhoodpayshim.Evenmyfatherinthe,inthegrocerystore.VITO[inItalian]Ifhe'sItalian--whydoeshebotherotherItalians?GENCO[inItalian]Heknowstheyhavenobodytoprotectthem.Forgetthat.Didyoulikemyangel?VITO[inItalian]Ifyou'rehappy,I'mhappyCUTTO:OutsidetheAbbandandoGroceria,VITOwalksabasketoffruitdownthestreet.CUTTO:InsidetheCorleonehome,VITOandMAMAarehavingdinner.MAMADon'tyoufeelwell?Isyourbosstreatingyouallright?VITOForgetit.[Astonehitsthewindow.Wehearavoiceoutside.]CLEMENZA(O.S.)Hey!Paisan!(then)YouspeakItalian?[VITOlooksoutthewindow,thengoesintothebathroom.HeopensthewindowtoseeCLEMENZA.]CLEMENZA[inItalian]Hidethisforme!NextweekI'llcomeandgetit!
[HetossesVITOabag.VITOshutsthedoortothebathroom.Thenheputsthebaginthebathtubandunravelstherags.Thewadofragshidesanassortmentofguns.]CUTTO:InsideoftheABBANDANDOgrocerystore.FANUCCIenters.FANUCCI[inItalian]ABBANDANDO,meetmynephew!How'sbusiness?[ABBANDANDOshrugs.FANUCCIreachesinsidethecashregisterandpullsoutsomecoins.]It'sgood,it'sgood.CUTTO:VITOsitsdownatatablewithGENCO.GENCO[inItalian]FANUCCI'smad.Saystheneighborhood'sgettingsloppy.Peopledon'tpayontime,don'tpaythefullamount.Sayshe'sbeentonicetoeverybody.[WeseeABBANDANDOandFANUCCIfighting.]VITO[inItalian]SoFANUCCI'schanging?GENCO[inItalian]Sure.Hewantsdoublefromeverybody.Evenfrommyfather.FANUCCI(toABBANDANDO)[inItalian]I'mafriend,right?Soyou'lllethimworkhere?[FANUCCIpatsABBANDANDOonthecheekingratitude.ABBANDANDOpacesaround.]ABBANDANDO[inItalian]VITO,comehere.[VITOwalksovertoABBANDANDO]VITO--I'vegotsomebadnews.Ifeelrottenabouttellingyouthis--butFANUCCI--he'sgotanephew-[ABBANDANDOsearchesfortherightword.]VITO
Andyouhavetogivehimmyjob.You'vealwaysbeengoodtome,eversinceIcamehere.Youlookedaftermelikeafather.Ithankyou.AndIwon'tforgetit.[VITOhugshim]CUTTO:OutsideVITOwalksdownthestreet.ABBANDANDO(outofpicture)VITO.[VITOseesABBANDANDOwalkingupwithabasketoffruit.]VITONo,No,No.ABBANDANDO[inItalian]Takethistoyourfamily.VITO[inItalian]Thanksanyway.Butplease,Ican'taccept.[TheyargueinItalianbutVITOstillrefusesthegift.Hewalksoff.]CUTTO:TheCorleonehome.VITOwalksin.HetakesoffhishatandunwrapsapearthatheplacesontheDinnertable.MAMAWhatanicepear![VITOremoveshiscoatandsitsdownandkisseshiswife.]CUTTO:OutsideonthestreetPeterCLEMENZAwalksuptoVITO.CLEMENZA[inItalian]I'mCLEMENZA,youstillhavemygoods?[VITOnods.]Didyoulookinside?VITOI'mnotinterestedinthingsthatdon'tconcernme.CUTTO:InsideaCafé.CLEMENZAandVITOsitanddrinkesspresso.
CLEMENZA[inItalian]Afriendofminehasanicerug.Maybeyourwifewouldlikeit.VITO[inItalian]Sure,shewould.Butwhohasthemoneyforarug?CLEMENZA[inItalian]Itwouldbeapresent.Iknowhowtoreturnafavor.VITO[inItalian]Yeasure--mywifewouldlikeit.CUTTO:OutsideCLEMENZAandVITOwalkdownthestreet.CLEMENZAVITO[InItalian"Let'sgo"]CUTTO:Outsideahouse'sdoor.CLEMENZAringsthebuzzerandnobodyanswers.CLEMENZA[inItalian]Thesonofabitch!Heisn'thome.[HesayssomethinginItalianthenlooksundertherug.]Damn,hedidn'tevenleavethekey.[Hereachesintohiscoatandpullsoutasmalllever.]Well,hewon'tmind.[Hepriesthedooropen.]Comeonin.HeyVITOcomeonin.[CLEMENZAwalksoverandputshisarmaroundVITO.VITOlooksthenenters.]CUTTO:Insideawelllavishedhouse.VITO[inItalian]Thisisyourfriend'splace?CLEMENZASi[SomethinginItalian.]
VITO[inItalian]Thisisarealpalace.CLEMENZA[inItalian]Onlythebest.[CLEMENZAbeginstomovefurnitureoffoftherug.Thenhemovetowardsthetableinthecenteroftheroom.]CLEMENZA[inItalian]VITOgivemeahand,willyou?[VITOlooksaroundagainthenhelpsCLEMENZAcarrythetableofftherug.CLEMENZAbeginstorolltherugasVITOlooksaround.Someoneknocksonthedoor.CLEMENZAwalkstothedoorandlooksout.Heholdsaguntotheedgeofthedoor,atheadheight,asaPOLICEOFFICERlooksin.ThePOLICEOFFICERtriesthedoorknobtonoavail,thenleaves.]CUTTO:OutsideofVITO'sapartment.CLEMENZAandVITOcarrytherugupthestairs.CUTTO:InsidetheCorleonehome.CLEMENZAlaystherugdownandgrabsSANTINO.Hestartstoplaywithhim.HeputshimontherugasSANTINObeginstocry.MAMALookhowprettyitis,SANTINO!CUTTO:AtrainwithMICHAELblowsit'shornasitpassesby.CUTTO:Insidethetrain.MICHAEL'sBODYGUARDpourssomewaterthensitsdown.CUTTO:OutsideviewofthetrainweseeMICHAELtakingpillsforhisDiabetes.CUTTO:Florida.JOHNNYOLAisfollowedbyMICHAELandhisBODYGUARDdriveuptoHYMANROTH'shouse.JOHNNYrunsintothehouse.MICHAELstepsoutofhiscarandwalkstotheROTHhouse.MRS.ROTHwalksintoview.MRS.ROTHComeonin.It'sallrightcomeonin.HYMAN'sinthere.Iwasjustmakingsomelunch--wouldyoulikeatunasandwich?MICHAELUh,nothankyou.[HewalksoutoftheroomandintoaroomthatoccupiesHYMANROTHwatchingtelevision]HYMANROTHComein,MICHAEL.Sitdown,makeyourselfcomfortable.It'salmostover--youfollowingthefootballgame?
MICHAELNope,notforawhileIhaven't.ROTHIenjoywatchingfootballintheafternoon,oneofthethingsIenjoyaboutthiscountry;baseball,too.I'velovedbaseballeversinceArnoldRothsteinfixedtheWorldSeriesin1919.[Theybothchuckle.]Iheardyouhadsometrouble.Stupid--peoplebehavinglikethatwithgunsImportantthingis,thatyou'realright.Goodhealth--themostimportantthingintheworld.Morethansuccess,morethanmoney--morethanpower.[MICHAELstandsupandshutsthedoor;movesthechairscloserasROTHturnsuptheTV.]MICHAELIcameherebecausethereisgonnabemorebloodshed.Iwantyoutoknowaboutitbeforeithappenssothatthere'snodangerofstartinganotherwar.
ROTHNobodywantsanotherwar.MICHAELFRANKPENTANGELIcametomyhomeandheaskedmypermissiontogetridoftheRosatobrothers.WhenIrefused,hetriedtohavemekilled.Hewasstupid,Iwaslucky;I'llvisithimsoon.Theimportantthingisthatnothinginterfereswithourplansforthefuture.Yoursandmine.[ROTHshakeshishead.]ROTHNothingismoreimportant.[Thereisalongpausebetweenthem,then.]You'reawiseandconsiderateyoungmanMICHAELAndyou'reagreatman,Mr.ROTH.There'smuchIcanlearnfromyou.ROTHWhateverIcandotohelp,MICHAEL.
[AtthatmomentMRS.ROTHopensthedoorandwalksinwithlunch.]MRS.ROTHExcuseme--lunch.ROTHComein.MRS.ROTHHoneyBunny,you'regonnabreakyoueardrums.[SheturnsdowntheTVthenbeginstowalkout.]Okay,enjoyit.ROTHThanks.[Sheshutsthedoorbehindheronthewayout.]You'reyoung,I'moldandsick.Whatwe'lldotogetherinthenextfewmonthswillmakehistory,MICHAEL--history.It'sneverbeendonebefore.Notevenyourfatherwoulddreamthatsuchathingcouldbepossible.MICHAELThenPENTANGELIisadeadman,youdon'tobject.ROTHHe'ssmallpotatoes.CUTTO:OutsideoftheoldCorleonecompoundinNewYork.PENTANGELIstepsoutofhiscar.BUTTONMAN(O.S.)HeyCicc'PENTANGELI(toBODYGUARDS)What'sup?WegotcompanyHuh.[HewalkspastMICHAEL'sBODYGUARDandintothehousewherehiswifeis.][SomethinginItalian]MRS.PENTANGELI[inItalian]
MICHAELCorleoneishere.He'sintheden.Youbetterhurry.He'sbeenwaitingahalfhour.[Hetakesoffhiscoatandscarf,andbrushesbackhishair.]Issomethingwrong?[HeopensthedoortoseeMICHAELlookingoutthewindow.PENTANGELIDonCorleone,Iwishyouwouldo'letmeknowyouwerecoming;Icouldo'preparedsomethingforyou.MICHAELIdidn'twantyoutoknowIwascoming.[PENTANGELIshutsthedoor.]Youheardwhathappenedinmyhome?PENTANGELIMike,Ialmostdiedmyself--wewasallsorelieved-MICHAEL(shouting)Inmyhome!Inmybedroom,weremywifesleeps!Wheremychildrencomeandplaywiththeirtoys.Inmyhome.[Alongpause,MICHAELsitsdown.]Iwantyoutohelpmetakemyrevenge.PENTANGELIMICHAEL,anything--whatcanIdo?MICHAELSettlethesetroubleswiththeRosatobrothers.[PENTANGELIisconfused.]PENTANGELIMike,Idon'tunderstand,Idon't--look--Idon'thaveyourbrain--uh--forbigdeals--butthisisastreetthing.ThatHYMANROTHinMiami--he'sbackingupthosesonofabitches.MICHAEL
Iknowheis.PENTANGELIWhydoyouaskmetolaydowntothemMike?[Alongpause.]MICHAELItwasHYMANROTHthattriedtohavemekilled.Iknowitwashim.PENTANGELINow--JesusChrist,Mike,JesusChrist.Look,let'sget'emall--let'sget'emallnow,whilewegotthemuscle.[AnotherlongpausethenMICHAELstandsup.]MICHAELThisusedtobemyfather'soldstudy--it'schanged.Irememberthereusedtobeabigdesk,righthere.IrememberwhenIwasakid,Frankie,wehadtobeveryquietwhenweplayednearhere.Iwasveryhappythatthishouseneverwenttostrangers--firstCLEMENZAtookitover,nowyou.Myfathertaughtmemanythingshere--hetaughtmeinthisroom.(then,asMichaelsitsbesidePENTANGELI)Hetaughtme--keepyourfriendsclosebutyourenemiescloser.Now,ifHYMANROTHseesthatIintercededinthisthing,andtheRosatobrothersfailedhim,he'sgonnathinkhisrelationshipwithmeisstillgood.Capide?PENTANGELI[AcknowledgeinItalian.]MICHAELThat'swhatIwanthimtothink.Iwanthimcompletelyrelaxed,andconfident,inourfriendship.ThenI'llbeabletofindoutwhothetraitorinmyfamilywas.CUTTO:ThebedroomofFREDO'shouse-latenight.FREDOandDEANNAaresleeping.Thetelephonebeginstoring.FREDOpicksitup.FREDOYea?VoiceofJOHNNYOLAFREDO,thisisJOHNNY--JOHNNYOLA.Weneedsomemorehelp.FREDO
JOHNNY,JesusChrist,whatthehelltimeisit?DEANNAWho'sthat,honey?FREDOShhh-VoiceofJOHNNYOLA.Listengood,FREDO.FREDOWhatareyoucallingmeherefor?Idon'twanttotalktoyou.VoiceofJOHNNYOLAPENTANGELIsetupameetingwiththeRosatobrothers--sayshe'sgonnagofortheirdeal.FREDOOh,God-VoiceofJOHNNYOLAWillhecomealone?FREDOIdon'tknowanything--yougotmeindeepenoughalready.VoiceofJOHNNYOLAJustgoalong,everythingwillbealrightFREDO--PENTANGELIsayshe'swillingtomakethedeal.Allwewanttoknowisifhe'sonthelevelorifhe'sgonnabringhisboys..FREDOYouguysliedtome--Idon'twantyoutocallmeanymore.VoiceofJOHNNYOLAYourbrother'snotgoingtofindoutwetalked.FREDOIdon'tknowwhatyou'retalkingabout.[Hehangsupthephoneandsitsupinbed.]DEANNAWhowasthat?
FREDOAhh--wrongnumber-CUTTO:OnthestreetsinfrontofabarinNewYork(7thStreet&AvenueB).PENTANGELIandWILLIECICCIwalkuptoCARMINEROSATO.CARMINEROSATOFrank--Igotnobodyhere.PENTANGELIWaitinthecar,Cicc'.WILLIECICCIFrankie-PENTANGELIIt'sokay,Cicc'.[CICCIwalksoffandCARMINEROSATOgivesPENTANGELIsomething.]What'sthis,Rosato?CARMINEROSATOIt'saluckyC-noteforournewdeal.[Theywalkinside.]CARMINEROSATORICHIE,giveussome,(pants?)[Theysitatthebar]We'reallrealhappyaboutyourdecision,Frankie.You'renotgonnaregretit.PENTANGELIIdon'tliketheC-noteRosato--Itakethatasaninsult[TONYROSATOcomesupfrombehindandbeginstogarrotePENTANGELI.]TONYROSATOMichaelCorleonesayshello![HedragshimovertoaphoneboothwhereheisjoinedbytwootherBUTTONMEN.]BUTTONMAN#1
Gethisheadin.TONYROSATOClosethefuckin'doorCARMINEROSATOAcopwhatthefu-[TheBUTTONMENscatterasthecopcomesin.]COPHeyRICH,it'sdarkinhere.Areyouopenorclosed?RICHHey,Ijustcameintocleanupalittle--youknow.[Thecopwalksaround.]What'sthematter?COPIsthatsomethinginthefloor?[Carminepullsoutagun]RICHCarmine,no!No,nothere!Nothere!CARMINEROSATO.ANTHONY!RICHNothere,Carmine,lethimgo![TheBUTTONMENandTONYpushthecopdownandstarttorunout.]TONYROSATOYouopenthisfucker,I'mgonnablowyourheadoff.BUTTONMAN#2CARMINE![WehearagunbattleoutsideandseePENTANGELIbarelyalive.]
CUTTO:Outsideagunbattleragesinthestreet.CUTTO:ABUTTONMANisarrested.CUTTO:CICCIstandsupandfiresintotheRosatocar.Thecarhitshim.CUTTO:Atnight,aplantaxiesontherunway.CUTTO:InsideaFredo'sclub.FREDOandTOMwalkinandshakehandswiththemanager.MANAGERFreddie,goodtoseeya.TOMHowishe?MANAGERHe'sokay--he'sintheback.[Theywalktothebackoftheclub.]Comeongirls,takeahike.(then)Inthisroomhere.TOMIwanttotalktohimalonefirst.MANAGERComeon;Huh.[TOMwalkintoaroomalone.]TOMIthoughtIcouldhelpyouSENATOR.GEARYHagen.[TOMnods.]Listen,Ididnot-TOMIknow,you'realright.GEARY
Ididn'tdoanything.TOMIt'sokay.You'reverylucky--mybrotherFREDOoperatesthisplace,hewascalledbeforeanyone.Ifthishadhappenedsomeplaceelse,wecouldn't'vehelpedyou..GEARYI--whenIwokeup,Iwasonthefloor--andIdon'tknowhowithappened.TOMYoucan'tremember?GEARYIpassedout.[Hestandsupandmovesoverthebedwhereweseeabloodydeadgirl.]I--I'llfixit.[Heuntiesthegirl'shandfromthebedpost.]Justagame.[Hetakesatowelandbeginstowipeupthebloodthatisalloverher.Helooksatthetowelandwipesoffhishands.]Jesus,Jesus.[Hebeginstocry.Ashedoes,TOMlooksoveratNERIwhoiswipinghishandsinthebathroom.]Jesus,God--Oh,God.Idon'tknow--andIcan'tunderstand--whyIcan'tremember.TOMYoudon'thavetoremember--justdoasIsay.We'reputtingacallintoyouroffice--explainthatyou'llbetheretomorrowafternoon--youdecidedtospendthenightatMichaelCorleone'shouseinTahoe--ashisguest.GEARYIdorememberthatshewaslaughing...we'ddoneitbefore--andIknowthatIcouldn't'vehurt-thatgirlTOM
Thisgirlhasnofamily--nobodyknowsthatsheworkedhere.It'llbeasifsheneverexisted.Allthat'sleftisourfriendship.CUTTO:LakeTahoeResort.Acarpullsupthegate.ThecarhasKAYdrivingandthekidsareintheback.ABUTTONMANcomesuptoKAY.KAYYes?BUTTONMANI'msorry,Mrs.Corleone,we'renottoletyouthrough.KAYI'mjustgoingtothemarket.[TheBUTTONMANwaveshishandandthegateisclosed.]BUTTONMANWell,ifyou'lljustgiveusalist,we'llpickupanythingyoulike.KAYWhoseordersarethese?BUTTONMANMr.Hagen's,ma'am--he'scomingoverherenow.KAYAlright,well,I'mjustgoin'tohavetospeakwithMr.Hagen.[KAYgetsoutofthecarasTOMwalksupthepathtowardsKAY.]TOMIum--wantedtoexplainthisbutIhadbusinessinCarltonCity.Now,thisisMICHAEL'srequestforyoursafety.Now,wecansendoutforanythingyouneed.KAYIsee--I'msupposedtostayinmyhouse?TOMNo,withinthecompoundwillbefine.KAYTOM,IwasgoingtotakethechildrentoNewEnglandnextweek.
TOMThat'soff.KAYAmIaprisoner?Isthatit?TOMThat'snotthewaywelookatit,KAY.KAYAllright--comeonkids,we'regoingbacktothehouseBUTTONMANJOE![JOEstepsintothecar.]CUTTO:ThelakefrontofHavana.MICHAEL'scardrivesby.CUTTO:MICHAEL'scardrivesoverabridgetoseethesmallshack-likehousesbelow.CUTTO:MICHAEL'scardrivingalongthestreetsofHavana;peoplecrossthestreetassoonasMICHAEL'scarpassesby.CUTTO:MICHAELlookingoutthewindow.CUTTO:Peopleonthestreet.Akidtriestolureamanintoaclub.CUTTO:PeopletryingtosellmapsofCuba.CUBANSALESCHILDCuba!Cuba!CUTTO:PeoplewalkinginfrontofMICHAEL'scar.CUTTO:MICHAEL'scarpassesbyabusfulloftourists.CUTTO:Amanonthestreetflingsatorcharoundasmanypeoplewatch.CUTTO:Childrenbeggingformoney.CUTTO:MICHAEL'sBODYGUARDrollsupthewindow.CUTTO:Childrentryingtosellnewspapers.CUTTO:AmeetingofanumberofpeopleincludingMICHAELCorleone.CUBANRULER,FulgencioBatistaMostrespectedGentlemen-TRANSLATOR[Translates]CUBANRULER[inSpanish]
--allowmetowelcomeyoutothecityofHavana.TRANSLATOR[Translates]CUBANRULER[inSpanish]IwanttothankthisdistinguishedgroupofAmericanindustrialists-TRANSLATOR[Translates]CUBANRULER[inSpanish]--forcontinuingtoworkwithCuba.TRANSLATOR[Translates]CUBANRULER[inSpanish]Forthegreatestperiodofprosperity-TRANSLATOR[Translates]CUBANRULER[inSpanish]--inherentirehistory.TRANSLATOR[Translates]CUBANRULER[inSpanish]Mr.WilliamShaw-TRANSLATOR[Translates]CUBANRULER[inSpanish]--representingtheGeneralFruitCompany.TRANSLATOR[Translates]CUBANRULER[inSpanish]FredCorngoldandMr.Dant--
TRANSLATOR[Translates]CUBANRULER[inSpanish]--fortheUnitedTelephoneandTelegraphCompany.TRANSLATOR[Translates]CUBANRULER[inSpanish]Mr.Petty-TRANSLATOR[Translates]CUBANRULER[inSpanish]--RegionalVicePresidentofthePan-AmericanMiningCorporation.TRANSLATOR[Translates]CUBANRULER[inSpanish]Mr.RobertAllenofSouthAmericanSugar.TRANSLATOR[Translates]CUBANRULER[inSpanish]AndMr.MICHAELCorleoneofNevada-TRANSLATOR[Translates]CUBANRULER[inSpanish]--representingourassociatesintourismandleisureactivities.TRANSLATOR[Translates]CUBANRULER[inSpanish]AndmyoldfriendandassociatefromFlorida-TRANSLATOR
[Translates]CUBANRULER[inSpanish]--Mr.HYMANROTHTRANSLATOR[Translates]CUBANRULER[inSpanish]IwouldliketotakethisopportunitytothankUnitedTelephoneandTelegraphfortheirlovelyChristmasgift-TRANSLATOR[Translates]CUBANRULER[inSpanish]--asolidgoldtelephone.TRANSLATOR[Translates]CUBANRULER[inSpanish]Perhapsyougentlemenwouldliketotakealookatit.TRANSLATOR[Translates]GUEST#1Mr.PRESIDENTCUBANRULER[inSpanish]Yes!GUEST#1Perhapsyouwoulddiscussthestatusofrebelactivateand--uh--whatthiscandotoourbusinesses?CUBANRULER[inSpanish]Ofcourse--IwanttoassureyouthatalthoughtherebelshavemountedanimpressivecampaigninLasVillas-TRANSLATOR[Translates]CUBANRULER[inSpanish]
--mystaffwitassurancethatwe'lldrivethemoutofthecityofSantaClarabeforetheNewYear.TRANSLATOR[Translates]CUBANRULER[inSpanish]AndIwanttoyouallasis-TRANSLATOR[Translates]CUBANRULER[inSpanish]--wewilltoleratenoguerrillasincasinos,ortheswimmingpools.[Alllaugh.]CUTTO:OutsideonthestreetsofHavana.AmanrunsinfrontofJOHNNYOLA'scarandthedriverhonksthehornathim.ACubanpoliceofficerwalksuptothecarandtalkstothedriver.OFFICER[SomethinginSpanish][WeseeOFFICERSmakinganarrestofarebel.]DRIVERHesaythatthey'remakinganarrestandthatinafewminuteshe'llletusthrough.JOHNNYOLAIt'snothing.Justsomelousybandits.Thepolicearecleaningthemup.[Therebelpushesapolicecaptainintothecarandexplodesagrenadethathehadhiddeninhisjacket.]CUTTO:OntopofaCubanbuilding.AbirthdaycakeforHYMANROTHiswheeledtowardhimandasmallgroupofpeople.ThecakehasadrawingofCubaonit.ROTHIhopemyageiscorrect--I'malwaysaccurateaboutmyage.Makesurethateveryoneseesthecakebeforewecutit.I'mverypleasedyouwereallabletocomefromsuchdistancestobewithmetoday.Whenamancomestothispointinhislife--hewantstoturnoverthethingsthathe'sbeenblessedwith--turnthemovertofriends.Asarewardforthefriendshe'shad--andtomakesureeverythinggoeswellafterhe'sgone.JOHNNYOLA
Notforyears.EVERYONEHear!Hear!ROTHWell,we'llsee;thedoctorswoulddisagree,butwhatdotheyknow?Thesearewonderfulthingsthatwe'veachievedinHavana--andthere'snolimittowherewecangofromhere.ThiskindofGovernmentknowshowtohelpbusiness...toencourageit--thehotelsherearebiggerandswankierthananyoftherugjointswe'veputinVegas--andwecanthankourfriendsintheCubangovernment--whichhasputuphalfofthecashwiththeTeamstersonadollarfordollarbasis--hasrelaxedrestrictionsonimports.WhatIamsayingnowiswehavewhatwehavealwaysneeded--realpartnershipwiththegovernment.[ThewaiterbringsoverapieceofcakebutROTHrejectsit.]Smallerpiece.(then,tothegroup)YouallknowMICHAELCorleone--andweallrememberhisfather.Atthetimeofmyretirement--ordeath--IturnoverallmyinterestsintheHavanaoperation-MICHAEL(toWAITER)GrazieROTH--tohiscontrol.But--allofyouwillshare.TheNationalwillgototheLakevilleRoadboys.TheCapritotheCorleoneFamily.TheSevillaBiltmore,also,butEddieLevineofNewportwillbringinthePenninoBrothers--DinoandEddie-forapiece,andalsotohandletheactualcasinooperation.Andwe'vesavedapieceforsomefriendsinNevada,tomakesurethingsgosmoothbackhome.Iwantallofyoutoenjoyyourcake--so,enjoy.GUESTSHappyBirthday!MICHAELIsawaninterestingthinghappentoday.Arebelwasbeingarrestedbythemilitarypolice,andratherthanbetakenalive,heexplodedagrenadehehadhiddeninhisjacket.Hekilledhimself,andtookacaptainofthecommandwithhim.[ROTHlooksconcerned]RightJOHNNY.JOHNNYOLA
Thoserebels,youknow,they'relunatics.MICHAELMaybeso--butitoccurredtome.Thesoldiersarepaidtofight--therebelsaren't.ROTHWhatdoesthattellyou?MICHAELTheycanwin.ROTHThiscounty'shadrebelsforthelastfiftyyears--it'sintheirblood,believeme,Iknow.I'vebeencomingheresincethe20's.WewererunningmolassesoutofHavanawhenyouwereababy--thetrucks,ownedbyyourfather.MICHAEL-[ROTHtiltshishead,asignforMICHAELtotalktohimalone.Thegetupandwalk.]--I'dratherwetalkedaboutthiswhenwewerealone.Thetwomillionnevergottotheisland.CUTTO:TheinsideofROTH'sroomintheCapri.ROTHislyingonthecouchtalkingtoMICHAEL.ROTHIwouldn'twantittogetaroundthatyouheldbackthemoneybecauseyouhadsecondthoughtsabouttherebels.[AlongpauseasMICHAELpaces.]SitdownMICHAEL.[Hepatsachair.]Sitdown.[MICHAELsitsdownnexttoROTH.]IfonlyIcouldlivetoseeit--tobetherewithyou.Uh,whatIwouldn'tgivefor--twentymoreyears.Hereweareprotected--freetomakeourprofitswithoutkeyfollowwiththegoddamnJusticeDepartmentandtheFBI.Ninetymilesaway,partnershipwithafriendlygovernment-ninetymiles.It'snothing.Justonesmallstep,lookingforamanthatwantstobePresidentoftheUnitedStates--andhavingthecashtomakeitpossible.MICHAEL,we'rebiggerthanU.S.Steel.
CUTTO:OutsidetheCapri,acarthatisdrivingFREDOfromtheairportpullsup.Amanopensthedoorandanothermangetshisluggage.FREDOiscaringonesuitcaseofhisown.TheportertriestotakeitfromhimbutFREDOpullsitaway.HewalksintotheCapri.CUTTO:InsidetheCapri,FREDOanMICHAELembrace.ThepeopleintheroomareMICHAEL,FREDOandMICHAEL'sBODYGUARD.FREDOMikey--howareyou,okay?[FREDOwalksovertoMICHAEL'sBODYGUARD.]Hi,uh,FreddieCorleone.[FREDOholdsouthishandandMICHAELacknowledgesinItalianthatit'sokay.]JesusChrist,whatatrip--thewholetimeI'mthinkin'whatifsomebodyknowswhatIgotinhere.Canyouimaginethat,huh?Twomilliondollarsintheseatnexttomeintheplane?[Heopensupthebriefcase,unzipsit,andbeginstoshowMICHAELthemoney.HethenlooksoverattheBODYGUARD.]Whoop,excuseme.MICHAELNo,it'sokay.FREDOYouwannacountit?[MICHAELdoesn'tanswerinsteadhepatsFREDOonthecheek.]FREDOMICHAEL,whatthehellisgoin'onanyway?I'mtotallyinthedark.MICHAELThefamily'smakinganinvestmentinHavana-[MICHAELtakesthebriefcaseovertoaguard.]--ThisisalittlegiftforthePRESIDENT.FREDOOh--wellthat'sgreat--Havana'sgreat--it'smykindatown--anybodyIknowinHavana?MICHAEL
Oh,HYMANROTH,JOHNNYOLA.[FREDOlooksdistracted.]FREDONo--Inevermetthem.[Thereisalongpauseaswehearsirensinthebackground.]Listen,Mikey,I'muh--I'mkindof,uh-[MICHAELlightsacigaretteforFREDO.]--I'mkindanervousfromthetrip.CanI--canIgeta-adrinkorsomething?MICHAELIthoughtmaybewe'd--we'dgoouttogether.Iknowaplacewecanspendsometimetogetherokay?CUTTO:AnoutsidecaféwhereMICHAELandFREDOaresittingatasmalltabletogether.FREDOSometimesIthinkIshouldamarriedawomanlikeyoudid--likeKAY.Kids--haveafamily.Foronceinmylife--bemorelike--Pop.MICHAELIt'snoteasytobehisson--it'snoteasy.FREDOYouknowMAMAusedtoteaseme.She'dsay,uh-"Youdon'tbelongtome;youwereleftonthedoorstepbygypsies."SometimesIthinkit'strue.MICHAELYou'renogypsy,FREDO.FREDOMikey--Iwasmadatyou.[ThereisalongpauseasFREDOshufflesaround.]Whydidn'twespendtimelikethisbefore?Youwannadrinkright?WAITER![Awaiterwalksuptothem.]
PorFavor--howdoyousay"bananadaiquiri"?MICHAELBananadaiquiri.FREDOThat'sit?MICHAELYes.FREDOUnoBananaDaiquiri.WAITERBananaDaiquiri.FREDOSi--anduh--aclubsoda.MICHAELSENATORGEARYisflyinginfromWashingtontomorrownightwithsomepeople--somegovernmentpeople.IwantyoutoshowthemagoodtimeinHavana.FREDOMyspecialty,right?MICHAELCanItrustyouwithsomething,FREDO?FREDOOfcourse,Mike.MICHAELLateronintheeveningwe'reallinvitedtothePresidentialPalacereception,tobringintheNewYear.Afterit'sover-they'regonnatakemehomeinamilitarycar--alone--formyprotection.BeforeIreachmyhotel,I'llbeassassinated.[Thewaitercomeswiththeirdrinks.]WAITERGraciasFREDO
Who?MICHAELROTH.[FREDOglancesonwithsurprise.]ItwasROTHwhotriedtokillmeinmyhome.ItwasROTHallalong.HeactslikeI'mhisson-hissuccessor--buthethinkshe'sgonnaliveforever--andhewantsmeout.FREDOHowcanIhelp?MICHAELJustgoalongasifyouknownothing.I'vealreadymademymove.FREDOWhatmove?MICHAELHYMANROTHwillneverseetheNewYear.CUTTO:InsideROTH'sHavanaroomintheCapri.JOHNNYOLAguidesMICHAELandhisBODYGUARDintotheroomwereROTHis.ADOCTORhasinspectedROTHandbeginstotalktoMRS.ROTHinSpanish.]MRS.ROTH[translatingtheDOCTOR]Saysyouhavetotakeiteasy.Andhe'sgonnagiveyouaprescription.He'llbebacktomorrow.ROTHIwantmyowndoctor.FlyhiminfromMiami-Idon'ttrustadoctorcan'tspeakEnglish.MRS.ROTHGracias,señorROTHHoney,godowntothecasino.MRS.ROTHWell,ifyou'resureyou'refellingbetter.ROTHFeellfine.Playthebingogame.
MRS.ROTHAlright.[ThentoMICHAEL.]NicetoseeyouMr.Paul.Justmakeyourselfathome.[Aftershe'sleft.]ROTHMysixthsensetellsmeyourbrotherFREDObroughtabagfullofmoney.Whereisit?[MICHAELissilent.]You'repullingout?MICHAELJustwanna--Ijustwannawait.[ROTHandJOHNNYOLAexchangeworriedglances.]Howdoyoufell?ROTHTerrible--I'dgivefourmillionjusttobeabletotakeapisswithoutithurting.MICHAELWhohadFRANKPENTANGELIkilled?ROTHThe--Rosatobrothers.MICHAELIknow--butwhogavethegoahead.IknowIdidn't.[OnceagainJOHNNYOLAandROTHexchangeglances.ThistimeROTHismad.]ROTHTherewasthiskidIgrewupwith--hewasyoungerthanme.Sortalookeduptome--youknow.Wedidourfirstworktogether--workedourwayoutofthestreet.Thingsweregood,wemadethemostofit.DuringProhibition--weranmolassesintoCanada--madeafortune--youfather,too.Asmuchasanyone,Ilovedhim--andtrustedhim.Lateronhehadanidea--tobuildacityoutofadesertstop-overforGI'sonthewaytotheWestCoast.Thatkid'snamewasMoeGreen-andthecityheinventedwasLasVegas.Thiswasagreatman--amanofvisionandguts.Andthereisn'tevenaplaque--orasignpost--orastatueofhiminthattown!Someoneputabullet
throughhiseye.Nooneknowswhogavetheorder--whenIheardit,Iwasn'tangry;IknewMoe--Iknewhewashead-strong,talkingloud,sayingstupidthings.Sowhenheturnedupdead--Iletitgo.AndIsaidtomyself,thisisthebusinesswe'vechosen--Ididn'taskwhogavetheorder-becauseithadnothingtodowithbusiness![Heturnsaroundandthinksofwhathejustsaid.]Thattwomillion--inabaginyouroom.I'mgoingintotakeanap--whenIwake,ifthemoney'sonthetable,I'llknowIhaveapartner--ifit'snot,I'llknowIdon't.[ROTHandJOHNNYOLAleave.MICHAELlooksoverathisBODYGUARDwhounderstands.]CUTTO:ThePresidentialPalace.Dancersperformingonthestage.CUTTO:Awomandancerbeginstosing.CUTTO:TheCorleonetable.FREDOstandsup.FREDOAllrightdoeseverybodyknoweverybodyhere,huh?ThisisSENATORGEARY--youknowhim.MICHAELHowareyou,SENATOR?GEARYGoodtoseeyou,Mike.I'mgladwecouldspendthistimetogether.FREDORight--thisisSENATORPAYTONfromFlorida.[Theyshakehands.]PAYTONHowyadoin',Mike?FREDOThisisJUDGEDEMALCOfromNewYork.MICHAELHowdoyoudo,Sir?JUDGEDEMALCOFine,thankyou.FREDO
Right--SENATORREEVESfromMaryland.REEVESMike,I'vebeenlookingforwardtoit.FREDOThisisFredCorngoldfromUTT.MICHAELIknowFred,howareyou?FREDOThatFreddiedoesameanChaChaChasowatchoutlater.MICHAELOhhedoes,huh?FREDOOkay,Gentlemen,it'srefilltimehere.Youmighttrysomeofthoselocaldrinks,youknow--CubaLibra--PiñaColada-GEARYIthinkI'lltryoneofthose--redheadedYolandas.FREDOThatyagot,concusto,yougotit.[JOHNNYOLAwalksintothepicture.]MICHAELJOHNNY--youdon'tknowmybrother,FREDO,doyouJOHNNY?JOHNNYOLA--FREDO.[FREDOlooksnervous]JOHNNYOLAWenevermeet-[Heextendshishand.]--JOHNNYOLA.FREDOPleasure
[MICHAELlookson.]Gentlemen,toanightinHavana--HappyNewYearREEVESHappyNewYear!FREDOFelizAñoNuevoMICHAELHappyNewYear.FREDOThat'sright,huh?CUTTO:AbackroominthePalace.Thereisalotofcommotion.FREDOOkay--getinthere.GEARYNeverfear,PatGEARYishere.SENATORHey,Freddie,Iappreciatethis.GEARYHey,Freddie,whyarewestanding?FREDOEVERYONEstands.Butit'sworthit--watch--you'renotgonnabelievethis.GEARYIdon'tbelieveitalready.FREDOHuh?Fiftydollars,right?GEARYYougotabet,Mister.
[Onstage,twowomeninblackdragagirloutonstageandtiehertoapole.Amanwalksoutfrombehindthecurtain.]FREDOThat'shim--that'sSuperman.[MICHAELlooksoverathisBODYGUARD.OnstagetwomorewomenthrowSupermanontheground.Aseverybodylooksonheopenshisrobetothegirltiedtothepole.Thenhedropstherobefromhisshoulders.EVERYONEscreamsandshoutswhentheyseewhyheiscalledSuperman.]FREDODidItellya,ordidItellya?GEARYIdon'tbelieveit!REEVESThatthing'sgottabefake!FREDOThatain'tnofake,that'sreal--that'swhytheycallhimSuperman.GEARYHey,Freddie-Freddie,wheredidyoufindthisplace?FREDOJOHNNYOLAtoldmeaboutthisplace.Hebroughtmehere.Ididn'tbelievehim--butseein'isbelievin',huh?[MICHAELglancesoveratFREDO.]JUDGEDEMALCOIseeit,andIstilldon'tbelieveit!FREDOFiftybucks,Pat.OldManROTHwouldnevercomehere,butOldManJOHNNYknowstheseplaceslikethebackofhishand.Nowwatchhim--he'sgonnabreakacrackedwithit.GEARYBreakacracker--Iwanttoseehimbreakabrick.
[MICHAELturnsandsignalstohisBODYGUARDthenturnsback.Helooksatthefloorandthencovershisfacewithhishand.HeisingreatpainrealizingthatFREDOistheFamilytraitor]CUTTO:HYMANROTH'sroomintheCapri.JOHNNYOLAwalksoutontothebalconyandlooksaround.Ashedoes,MICHAEL'sBODYGUARDcomesfrombehindandstrangleshimwithacoathanger.MICHAEL'sBODYGUARDwalksovertoROTH'sroomandopensthedoor.InsideareMRS.ROTH,twoDOCTORS,andROTHonthebed.DOCTOR#1Relax,SeñorROTH,we'retakingyoutothehospital.[Astheytakehisbloodpressurehewincesinpain.MICHAEL'sBODYGUARDwalksawayjustasthreemencomethroughthedoorwithastretcher.Astheyentertheroom,MICHAEL'sBODYGUARDwalksbyonemoretimebeforehedeparts]CUTTO:InsidethePresidentiialPalace'sdancehall.Manypeople,includingthePRESIDENT,aredancing.Aboveisabannerthatreads"FELIZAÑONUEVO"["HappyNewYear"]CUTTO:SENATORGEARYtalkingtosomegirlsandaCubanpolitician.GEARYAndinmyjudgment,you'llcontinuetogetthose,becauseIdon'tbelievethatPRESIDENTEisenhowerwelleverpulloutofCuba--notaslongaswehaveoveronebilliondollarsinvestedinthiscountry.[Hetoastswithacoupleoftheguests.FREDOstandsupandbeginstowalkout]Now,theAmericanpublicbelievesinnon-intervention-[MICHAELwalksovertomeetFREDO]MICHAELFREDO--whereyougoin'?FREDOIgottagetmearealdrink,'causeIcan't-[Hetrailsoffandwalksaway.]CUTTO:Alongshotofeveryonedancing.CUTTO:Thehospital.MRS.ROTHlooksatHYMANandbeginstocry.TwomenwalkawayfromHYMAN'sbed.MICHAEL'sBODYGUARDwalksupthestairsanddownthehallwithflowers.HelooksoveratthebedasHYMANROTHisrolleddownthehall.HefollowsthemandseestheroomROTHisin.CUTTO:Theparty.Manypeoplearestilldancing.CUTTO:GEARYwalkingovertoREEVES,FREDO,and,MICHAEL.REEVES
What'skeptMr.ROTH?Iunderstoodhewascommin'?GEARYHey,REEVES--what'sprotocol--howlongshouldwestayaround?REEVESOh--Idon'tknow--Ithinkahalfanhouroughttodoit.JustlongenoughtoringintheNewYear.[AstheyspeaktheMilitaryPolicewalkthroughtheDanceHalltowardsandintoaroomwiththePRESIDENT.]CUTTO:ROTH'shospitalroom.Anursehearssomeofhercolleagueswhisperingforhertojointhem.Shehushesthem.Thenwalksoutintothehall.NURSE#1[inSpanish]It'sNewYear'sEve.Comeon,justforaminute.[Aftertheyleave,MICHAEL'sBODYGUARDwalksintotheroomandshutsthefrontdoor.Hewalksovertotheotherdoorandclosesit,also.ThenhewalksovertowardROTH'sbed.]CUTTO:ThemilitarypolicemarchinginthehospitaltowardsROTH'sroom.TheNURSErunsandopensthedoorandscreams.AnofficerwalksintothedoortoseeMICHAEL'sBODYGUARDholdingapillowoverROTH'shead.Hefiresfiveshots,killingMICHAEL'sBODYGUARD.CUTTO:TheDanceHallwhereeveryonecheersandthrowsconfettiintotheair.Everyonehugsandkisses.MICHAELwalksovertohisbrotherandhugshim.MICHAEL(whisperingintoFREDO'sear)There'saplanewaitingforustotakeustoMiamiinanhour,alright?Don'tmakeabigthingaboutit.[HegrabsFREDOonbothsidesofthefaceandkisseshimonthemouth]Iknowitwasyou,FREDO--youbrokemyheart--youbrokemyheart![FREDOgetsfreeandwalksawayquickly]CUTTO:Ashotofeveryonedancing.FREDOwalksoutoftheDanceHall.CUTTO:ThePRESIDENT,hisfamily,andassociates.Hewalkstowardthestage.CUTTO:OutsideofthePresidentialPalacemanyCUBANSwatchasFireworksgooff.CUTTO:CUBANSyellinganddancinginthestreet.CUTTO:CUBANSthrowingstonesattheArmycars.CUTTO:Soldiersaroundastatuesalutingwhileothersaroundthemjumpupanddown.
CUTTO:MoreCUBANSleapingasabandplays.CUTTO:TheDanceHall.TheCubanPRESIDENTisonthestagespeaking.PRESIDENT[inSpanish]DuetoserioussetbackstoourtroopsinGuantanemoandSantiago--mypositioninCubaisuntenable.[MICHAELseeswhatisabouttohappenandbeginstoleave.]Iamresigningfromofficetoavoidfurtherbloodshed.AndIshallleavethecityimmediately.[GEARYandREEVESleavealso.]Iwishyouallgoodluck.CUTTO:MICHAELwalkingdowntheemptysteps.PRESIDENTSalud!-Salud!-Salud!CUTTO:AcarwithP.A.speakersdrivesdownastreetwithpeoplefollowingafterit.CUTTO:CUBANSrunninginexcitement;oneisonalamppost.CUTTO:ThePresidentialPalacesteps.Peoplearenowrunningout.CUTTO:Morepeoplerunning;theyallpace;ascared,stumblingFREDO.CUTTO:Acarpassingby.CUTTO:FREDOwalkinginadaze.HeseesMICHAEL'scarandMICHAELgetsout.MICHAELFREDO!Comeon!Comewithme!It'stheonlywayoutofheretonight.ROTHisdead-FREDO![FREDObeginstowalkaway.]FREDO,comewithme-FREDO!--you'restillmybrother--FREDO!--FREDO![AfterFREDOleaves,MICHAELgetsintohiscaranddrivesoff.]CUTTO:Manypeoplerunningtothedocks.CUTTO:Peoplegettingintotheirboats.CUTTO:JubilantCUBANSrushingintoabuilding.CUTTO:TheUnitedStatesEmbassy.TheguestsandotherAmericansrushintoleavethecountry.CUTTO:Acardrivinguptogatesofabuilding.CUTTO:SENATORGEARYrushingtotheU.S.Embassygate.
篇九:《教父2(1974)》完整中英文对照剧本
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好莱坞经典剧本
篇一:好莱坞101部最伟大的剧本好莱坞101部最伟大的剧本在完整的“史上101部最伟大剧本”名单中,伍迪·艾伦、弗朗西斯·福特·科波拉以及比利·怀尔德三人分别有四部作品上榜。查理·考夫曼、威廉·戈尔德曼以及约翰·休斯顿各有三部作品上榜。卡萨布拉卡教父唐人街公民凯恩彗星美人安妮霍尔日落大道电视台风云热情似火教父2好莱坞编剧协会评出的101部最佳电影剧本美国好莱坞编剧协会今天宣布电影史上“101部最佳电影剧本”,获选为第1名的是曾获1944年奥斯卡最佳影片的经典老片《卡萨布兰卡/北非谍影》。这份排行榜是由美国编剧协会成员从1千400多部电影剧本中评选而出。美国好莱坞编剧协会(TheWritersGuildOfAmerica)的“101部最佳电影剧本”排行榜中,由英格丽褒曼、亨佛莱鲍嘉合演的《北非谍影》荣获榜首。
【最新2018】好莱坞经典剧本-范文模板
在这101部获选为最佳电影剧本的影片当中,好莱坞大导演伍迪·艾伦、弗朗西斯·科波拉以及比利·怀德3人都各自有4部剧本上榜,最为风光。“101部最佳电影剧本”排行榜第2名到第5名依序为《教父》、《唐人街》、《公民凯恩》、《慧星美人》。第6名到第10名为:《安妮霍尔》、《日落大道》、《电视台风云》、《热情如火》、《教父2》。完整名单见下:1CASABLANCA卡萨布兰卡(1942)
ScreenplaybyJuliusJ.&PhilipG.EpsteinandHowardKoch.Basedontheplay"EverybodyComestoRick's"byMurrayBurnettandJoanAlison.
2THEGODFATHER教父(1972)ScreenplaybyMarioPuzoandFrancisFordCoppola.BasedonthenovelbyMarioPuzo.3CHINATOWN唐人街(1974)
WrittenbyRobertTowne4CITIZENKANE公民凯恩(1941)
WrittenbyHermanMankiewiczandOrsonWelles5ALLABOUTEVE彗星美人(1950)ScreenplaybyJosephL.Mankiewicz.Basedon"TheWisdomofEve,"ashortstoryandradioplaybyMaryOrr
6ANNIEHALL安妮.霍尔(1977)
WrittenbyWoodyAllenandMarshallBrickman
【最新2018】好莱坞经典剧本-范文模板
7SUNSETBLVD.日落大道(1950)WrittenbyCharlesBrackett&BillyWilderandD.M.MarshmanJr.8NETWORK电视台风云(1976)WrittenbyPaddyChayefsky9SOMELIKEITHOT热情如火(1959)ScreenplaybyBillyWilder&I.A.L.Diamond.Basedon"FanfareofLove,"aGermanfilmwrittenbyRobertThoerenandM.Logan10THEGODFATHERII教父第二部(1974)ScreenplaybyFrancisFordCoppolaandMarioPuzo.BasedonMarioPuzo'snovel"TheGodfather"11BUTCHCASSIDYANDTHESUNDANCEKID虎豹小霸王(1969)WrittenbyWilliamGoldman12DR.STRANGELOVE奇爱博士(1964)ScreenplaybyStanleyKubrickandPeterGeorgeandTerrySouthern.Basedonnovel"RedAlert"byPeterGeorge13THEGRADUATE毕业生(1967)ScreenplaybyCalderWillinghamandBuckHey.BasedonthenovelbyCharlesWebb14
【最新2018】好莱坞经典剧本-范文模板
LAWRENCEOFARABIA阿拉伯的劳伦斯(1962)ScreenplaybyRobertBoltandMichaelWilson.BasedonthelifeandwritingsofCol.T.E.Lawrence15THEAPARTMENT公寓/桃色公寓(1960)WrittenbyBillyWilder&I.A.L.Diamond16PULPFICTION低俗小说(1994)WrittenbyQuentinTarantino.StoriesbyQuentinTarantino&RogerAvary17TOOTSIE窈窕淑男/杜丝先生(1982)ScreenplaybyLarryGelbartandMurraySchisgal.StorybyDonMcGuireandLarryGelbart18ONTHEWATERFRONT码头风云/在江边(1954)ScreenStoryandScreenplaybyBuddSchulberg.Basedon"CrimeontheWaterfront"articlesbyMalcolmJohnson19TOKILLAMOCKINGBIRD杀死一支知更鸟(1962)ScreenplaybyHortonFoote.BasedonthenovelbyHarperLee.20IT'SAWONDERFULLIFE风云人物(1946)ScreenplaybyFrancesGoodrich&AlbertHackett&FrankCapra.Basedonshortstory"TheGreatestGift"byPhilipVanDorenStern.ContributionstoscreenplayMichaelWilsonandJoSwerling21
篇十:《教父2(1974)》完整中英文对照剧本
教父2影评教父2影评(一)小说《教父》尊为男性的圣经,是一种男权主义的体现,男性体内的破坏欲、操控欲在书里得到淋漓尽致的体现,不论是深埋心底的阴谋、性欲扭曲的发泄、变态血腥的杀戮,对于男人们来说,都是潜意识里所憧憬的,手握乾坤、操纵势力、杀戮、铲除异己、复仇、性欲,男性体内的恶之花在此娇艳的绽放。考利昂老头子,一个打不倒的黑帮帝王,一个内心深不可测的男人,一被无数男人尊为神的男人,他总能用他独特的逻辑和道理来使得一切看上不不合理、不被社会法律接受的东西变得合理化,而且让读者产生认同感,西西里的恶劣生存状况使得男人们变得暴力,为了生计杀戮、争夺,考利昂老头子把这种生存状态带到了美国,在这座钢筋混凝土的森林里,脆弱的人之能成为狼群的口中之食,而考利昂,说是为家庭奋斗,还不如说是男性主义的完全爆发,变成狼,变成男人。教父的哲学在文字的表现下变的合理或者是可以接受,美国资本社会下的复杂使得这个钢筋混凝土森林失去了绝对的善和绝对的恶,从根本上来说,这可以归结为社会财富的分配不均,而这种不均之下就不可能有绝对的公平,没有绝对的公平就使得这个社会体现存在漏洞,而考利昂们,就是看到机遇主宰漏洞的人,教父的哲学在这种不公平之下变得合理,更可怕的是,很多人高度认同了这种哲学。这种存在变得合理而且有必要,有这种需求,就存在了提供服务的人。有个理念说政府是提供公共服务的企业,而对于黑手党家族来说,他们在一定程度上给一些人提供了公共服务,他们的运营也愈发的往企业靠拢,所以可以说考利昂家族就是一种小型的政府雏形,存在即是合理,这种存在就是因为有需要服务的需求,所以他们存在,而这种存在合理不合理是很难下定义的,你站在什么立场,它就是什么。考利昂们的合理是建立在非法活动上,而在这种情况下,法律是谁的法律?提供公共服务的人制定的秩序就是法律,而教父的哲学在这个社会漏洞之中就是法律,也没有合法和非法之分了,一切都归结为利益之争和人趋利性,这两点是我们社会存在的根基,也是《教父》体制之中的支撑点。我们社会本来就是建立在杀戮和罪恶之上,杀戮的人多了,我们称之为国家,而杀戮少的,却被定义成了“犯罪分子”,占利益大头的人为了维护秩序,定义死了利益
1——文章来源网,仅供分享学习参考
小头者,那些漏洞里的小头利益者被冠上了“非法”,正所谓,窃钩者诛,窃国者诸侯。
小说里着墨的第一代教父的发迹史在电影第二部中才出现,老教父的发迹史较为的传奇,而在对教父发迹史的描写之中,关于家庭对于老考利昂的影响有很多着墨,老考利昂当初所作所为完全是为了自己的妻儿,老教父在言语之中经常提及要好好照顾自己的家庭儿女,家庭才是第一位之类的话,但是在实际之中,考利昂家族发迹以后支撑其的并不是家庭,而是男人膨胀的野心,小说之中老教父临死前说了句:生活如此的美好。这可以为维克多考利昂的人生哲学标上一个注点,而之后麦克的发迹史几乎是翻版了老头子,在电影的最后,麦克的心最后还是归附到家庭之爱,虽然孤寂而死,但是死之前想到的还是自己的妻子、女儿,意大利男人们最后的乡愁还是家庭,这和老教父死时的叙述有异曲同工之妙,相比维克多考利昂死在天伦之乐时,麦克死的时候相对凄惨,因为麦克做的比他老爹更绝,麦克是生长在美国的,他并没有老爷子的西西里男人情怀,或者说是没有西西里人的乡愁,虽然麦克最后还是死在西西里。麦克对待家庭并没有他老爹精明,但是这也决定了麦克的事业会比老教父做的更好,三部曲最后还是画龙点睛,应了第一部的东西,关于家庭的归属放在这部完全男性主导的电影之中,并不显得突兀,反而使得电影更具韵味,马里奥普佐非常懂得把玩男性的智慧和情怀。
邪恶和正义本来就没有一条很明显的界限,如今社会冠之以的界限是根据法律和道德来评判的,而这些都是统治上层所主导的,如果按法律评判,《教父》之中没有一个好人,整个就是一群犯罪分子的内斗,犯罪分子的区别就是有些犯罪分子很坏,有些没那么坏,那为什么那么多人开始崇尚“教父精神”呢,是现实社会的不公让人们开始需要一个强有力的地下复仇者?还是纯粹被教父中霸气外露的男性主义所吸引?这是个问题,这种反面英雄崇拜至少可以说明了一种隐微的诉求,不论是什么,它实实在在的存在着,并且深刻的影响到了电影、文学。
三部曲的第一部是最为宏大的,为教父系列奠定了稳固的基础,第一部制定了规则,塑造了人物性格,这种规则、气质、性格在三部之中是贯穿的,第一部之中所出现的人物应该是三部之中最多的,故事情节也最为的复杂,第一部
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可以分为两个段落,其实就是两代教父的交割之分,由马龙白兰度主导的前半部分和由阿尔帕西诺主导的后半部分。
第二部开始于古巴战乱,主要叙述第一第二代教父的成长史,勾勒出麦克考利昂的内心蜕变过程,应该是三部曲之中故事最简单,脉络最清晰的一部,第二部是双线叙事,时空并不在一条线上,小说之中第一代教父的发迹史被安插在了第二部电影之中,穿插并叙,其实第二部电影的肌体主体应该是第二代教父的成长史,这两段交插是是父子俩在不同时期、同一个年龄的对照,这样安插、对比加强了电影的深意,这样的安排不得不说是非常精辟的,虽然剧情简单,但是却一点都不单薄。
两代教父的对比并叙使得人物性格更加的凸显,麦克并没有继承老教父的处事哲学,也没有很好的处理好家庭与事业的关系,从根本上来说,这主要是基于两代教父的成长经历差异,创业容易守业难,麦克承担的压力是甚于其父的,老教父的威严来至于他的“讲道理”、以心换心的处事哲学,而第二代教父的威严是建立于冷酷的手腕上的,这差异的来源还是要归于不同的经历,老教父发迹于上世纪初期美国移民潮时期,社会复杂、制度不健全、经济混乱萧条,可以说是身处乱世,老教父独特的处事哲学使其能在乱世之中大有作为,他的处事哲学赢得了很多人的尊重,西西里的乡土家庭思想也使得老教父非常重视家庭关系,所以第一代教父能得心应手的经营家族事业。而麦克考利昂和其父亲的成长经历差别甚大,麦克是完全生长在美国,自幼受美式哲学的影响,希望当一个安分守法的模范公民,他的家庭思想观念也是美式的,与他父亲相处的乱世美国不同,麦克所处的时代已经是太平盛世了,美国的发展蒸蒸日上,法律完善,政府壮大,这些挤压了家族事业的发展空间,麦克面临巨大的家族转型危机,而第二部之中对峙公堂也是为了使自己的家族事业合法化,麦克面临的困难和压力远远大于老教父,他的成长经历和思维模式已经基本上摆脱了老式黑手党的思维模式,在夹缝中求生并不容易。而电影对此的勾画也在侧面宏伟的临摹出了那个时期美国的政治、经济、法律、社会发展史,以一个家族的转型展现出整个社会的宏大转型,这种转型过程极其尖锐犀利的描绘出了美式民主、美式制度的宏观大框架,这也是教父系列电影最为伟大的地方之一!特殊个人的奋斗史呈现出的是整个社会、国家的巨幅浮世绘。第二部电影胜在此。
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第三部围绕一个融资阴谋展开,老年的教父已经没有了往日的犀利,更多沉溺于家庭里短和自我利益的维护,第三部在一些方面丢失了前两部的精神气质,满脸皱纹的阿尔帕西诺并没有满脸皱纹的马龙白兰度充满威严,阴冷威严的教父转变成了一个畏首畏尾的资本家,诚然,这种转型是极其明智的,但是基于前两部的整体气质,这种转变不禁会让人失落,电影末尾教父最后的权谋施展的威严在阿尔帕西诺抱着死去女儿撕心裂肺的抽泣之中烟消云散,教父老了。想想第一部中马龙白兰度看着死去大儿子威严、收敛的悲恸,第二部中马克谋杀二哥时的沉默、阴冷。我们看到的不再是不可战胜的Godfather,而是一个老年丧女老男人的无助。这也预示着教父时代的终结。
老麦克的经历告诉我们,在美国不论黑道白道,生存规则是一样的,表面上合法的资本竞争并不比黑道运作更干净,本质上都是肮脏的利益斗争,西装革履之下,仍旧是弱肉强食的那一套,晚年的麦克沉浸在救赎之中,坐拥资本帝国,老麦克内心却被罪恶压垮了,数十年的血雨腥风,这位黑手党领袖双手沾满鲜血,有亲人的也有敌人的,忏悔和救赎基本上成了这部的主题,谁知道这个看上去不可战胜的灵魂有多么的脆弱,他的救赎之路也是他自我摧毁的道路,最终一代叱诧风云的枭雄在孤寂和忏悔之中死去。他没有死在为自己家族开疆扩土的战场上,而是像一盏孤寂的枯灯,在风中燃尽。
《教父》系列成就了一群演员,或者说是他们成就了《教父》,马龙白兰度饰演的教父重新诠释了什么叫做黑帮领袖,几十年过去了,一提起教父,不知道会有多少人脑海中会出现马龙白兰度的伟岸身影,他对教父的独特诠释征服了一代又一代观众的心,他让教父这个角色不朽于电影史册,他所饰演的教父成为电影界一个不老的神话!不可颠覆的神话!阿尔帕西诺虽然只有一米七的身高,但他却可以被称为电影演员之中的拿破仑,他赋予教父的精气神让他成为好莱坞的无冕之王,而他之后所塑造的一系列人物更是证明了他的实力。沉默、冷血之中的运筹帷幄、永远不让别人知道自己在想什么的幽暗内心使得第二代教父也充满了非凡的魅力,而第三部最后阿尔帕西诺无声的恸哭更是成为影史中经典的一幕。
《教父》三部曲都有很浓重的基督色彩,第一部教堂受洗之时的经典暗杀串联,第二部弗雷德向圣母祈福之时的谋杀,第三部则整部和梵蒂冈教堂挂钩,
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教父三部曲里宗教的氛围是很浓的,基督的普世教义于黑手党放在一起的时候居然产生了巨大的冲击力。教父本身的含义在为婴儿洗礼的时候保证其宗教教义的人,而在《教父》之中,这种保证受教育的对象变成了整个地下社会,黑色的势力包裹着整个社会,这种“教父”与宗教教父的反差变得很有寓意,让人浮想联翩,每一次宗教仪式后就有一次谋杀,这种反差产生了非常有冲击力的艺术效果,而老麦克最后的忏悔和救赎也非常的符合基督教的宗旨,《教父》并不反宗教,相反,《教父》三部曲都深深的烙上了西方基督教义的精神。犯罪分子也是有上帝的。这也算教父的一个独有气质,另外《教父》三部曲都有很浓重的西西里风,片子里存在一股乡愁,或许这指西西里人的文化认同感吧。这些气质都影响到了电影的配乐和布景,教父的配乐较为的古典,有很浓郁的意大利西西里风格,尼诺·罗塔的神来之笔让《教父》在听觉上也魅力无穷,那一曲经典的speaksoftlylove也成了《教父》灵魂的一部分。
教父2影评(二)经典之极的《教父》系列简直是美国黑手党家族的浪漫史诗,却照样是不朽杰作,在很多观众心中的地位很高很高,但这并不意味着深爱《教父》的人们对罪恶的黑手党有什么好感。人们诅咒与唾弃罪恶,可我们却无法不为老科里昂、麦克唏嘘,不仅仅是人物身上某种人性的魅力,更是对他们身处哈姆雷特般境遇的深刻同情:对他们而言,只有tobe才意味着生存。老科里昂用中国武侠的话来说,大盗亦大侠,却与那些伪君子与无良恶棍判若云泥。他经营赌场等黑社会生意却拒绝了毒枭索洛左的贩毒提议,因为他认为赌博和女人是社会必需品,而毒品却是贻害深广的"撒旦”;他主张暴力血腥却无私的充当弱小市民保护伞。作为一个丈夫和父亲,他竭力的爱着他们,尽量让他们过不受打扰的幸福宁静的生活。可这样一个坚持原则的长者却不得不面对时代的变迁:毒品生意不可避免,大毒枭索洛左蠢蠢欲动。终于,被暗杀不成老科里昂却重伤住院。小儿子迈克为救父刺杀索洛左后亡命西西里,邂逅并娶了美丽纯真的意大利女子为妻。长子桑尼如火般展开报复却因被姨夫出卖命殒乱枪。同时麦克也痛失爱妻。老科里昂为使爱子平安归来在风雨飘摇之中不得不于死敌签下了屈辱的城下之盟。而经历了沧桑沉浮的纷繁世事后的麦克也不得不毅然挑起家族重担,谋略屡出,雷厉风行,最终击败诸敌,在血雨腥风中成长为第二代
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教父。在续集中麦克在黑社会与政界中运筹帷幄,翻云覆雨。然而一幕幕悲剧梦魇般向他袭来:哥哥弗雷多背叛,他含泪忍痛处理了,但不禁回忆起多年前父子兄弟其乐融融的温馨亲情。妻子凯目睹家族中种种罪恶、血腥,面对日益冷酷、神秘的丈夫,她痛苦万分,堕胎后伤心的离开了家。青年时代树荫下甜蜜的爱情,“死生契阔,俯仰一世”的旦旦誓言瞬间烟消云散。最后,独自一人坐在凄冷的湖边,众叛亲离,亲情、爱情都成了血色的碎片,残酷、狰狞的景象。茫然、痛苦、疲惫,湖水依然那么苍翠、平静……第三部依然是麦克扩充他庞大的帝国,并让自己的侄子文森接掌,悲剧与阴霾延伸到下一代。
影片《教父》始终笼罩着现实的阴森雾霾,情节扣人心弦,格调沉重却不失自然流畅,叙事宏伟却不失细腻深刻的细节描绘。细节深刻精细如影片突出的一点是在麦克几次受到重大打击的时候只能从眼神的小小转变上窥得他内心的变化。一个例子是当他职业性的意识到哥哥就是内线时,镜头是麦克持续好几秒钟的近景,迈可垂下双眼,下意识地转过身,用手摁住太阳穴,麦克这种极端痛苦的神情非常直接的剥落在观众面前。在前两部中,影片是通过外化的表现手段来突现迈克尔的心理冲突,那在第三部中,对社会批判的同时,影片又将主视角回到了迈克尔孤独心理状态的呈现上,从开头霍塔湖萧条的表现,到聆听儿子演唱时回想起以前西西里的一段美好往事,再到向神父祷告的时候流露出的沉重负罪感,直到最后的回忆段落,出现了很多次迈克尔的心理独白,在迈克尔向教士告解时留下的泪水中,我们看到了一个孤寂的灵魂在忏悔,我为何会那么害怕,上帝为什么只给我唯一的选择,为什么?我原本也很正直,我原本想做好事,我原本想让家族走向正轨,是什么背叛了我,我的心?另外影片其中少许几幕轻松温馨、自然清新的情景同样值得称道。如老科里昂的女儿康妮充满异域情调的婚礼温馨浪漫,人们尽情谈笑、嬉戏,这时那个二战英雄、品学兼优的阳光俊朗少年,正在树荫下与女友凯他那请说爱呢!影片中那如画如诗的西西里乡村风情、淳朴自然的乡风民俗又是多么让人陶醉啊,这些零星的美好点缀、调和绝不可少,同时也惊人的收到了烘托的效果。
《教父》获无数奖项,征服与震撼了无数人的心灵,很多人都说这部超越性的影片绝非一部黑帮电影,更像是在世俗中挣扎的人类命运的缩影,人生的悲剧和人性的孤独,皆是人类的宿命。迈克尔从人到教父的转变过程在某种程度
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上折射着所谓大人物的一生。我们大可不必认同导演对人生的悲剧论调,也应对暴力与罪恶反感,我们只需倾听与看:影片末尾迈克尔趴在女儿的身上号啕大哭,我们听不见他的声音,音乐将一切都掩盖住了;影片终结时老迈疲惫的麦克坐在午后的椅子上,孤独一人阖然长逝,仿佛有无尽的伤悲,而这一切都被深深的叹息淹没了。
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推荐访问:《教父2(1974)》完整中英文对照剧本 教父 剧本 中英文对照